Common Or Garden Theology: Creation. Three year overview 2020-2022.

The Garden of Eden with the Creation of Eve (1630, Jan Brueghel the Younger) Wikimedia Commons

My intention has been to reflect on Creation theologically, in an holistic and integrative manner. So there is more to my writing at common or garden theologian than simply a theology of Creation, though that is undoubtedly its principal focus. I have attempted to be creative in my theologising about Creation, and this is being expressed in creative prose, reflective as well as analytical writing, through personal as well as objective considerations, and even some poetry. I celebrate a great deal of visual creativity, through photographs and art, drawing these seamlessly into the description and argument I am attempting in the text. I’ve made some art of my own, often by jumping off from (significant) pieces by others- even including Michelangelo. This all underlines and explicates* one of my principal claims: I say that God wants us to create the future with Godself, to be co-creators of God’s future. I call as evidence that my presentation in this blog is necessarily co-creative, for it can only be authentic in that mode. [Having said that, you will allow me to say that it is immaterial whether you think my attempts at ‘art’ are any good, or whether you like it or not.]

*explicate: to analyse and develop, discovering meaning.

This post is (another) attempt to distil my findings, lessons and conclusions into an encyclopaedia-style summary; to objectify my claims into statements. This is important, as I want my readers to be able to gain clear and succinct answers to questions like, “What are you really saying?” “Can you sum up your ideas for me please?” and so on. I am happy to oblige, as I’d rather like to read that myself. But at the off it needs to be made clear that this summary is a reductionist project. I am now happy to assert that I have revelled in the journey at commonorgardentheologian.co.uk, and its partner site for science teachers who are interested in specifically Christian perspectives on science and religion. It has been a very stimulating, rewarding and satisfying journey-process, mostly because I have been able to express many of my creative interests all in the same place. Make no mistake: this summary may well enlighten your understanding and assist your own reflections on Creation, as a Judeo-Christian category as well as more widely, but it is not possible to encapsulate all that has been achieved… produced… Created in this journey of forty seven chapters, and counting… in an objective summary. Substance will be lost, by definition! May I gently suggest that this lesson might be explicated like this: it is in my extended reflections on the Book of Genesis and the theme of Creation in the scriptures overall that my reflections have become alive. In a small way I said this in the post, ‘Which comes first: the wine or the wineskin?’ Or as some of my preaching friends like to repeat, ‘The journey is the destination.’ If I am right (and perhaps this is really not that controversial) then the most important thing to grasp about cocreation is to do it; to be a cocreator! The undiscovered, or, better perhaps, the ungrasped truth is that as God is inviting us all to go this way, we should ‘Come and see…’, ‘Come and be…’ and, ‘Come and do.’

Kings College Chapel interior. Jean-Christophe BENOIST https://commons.wikimedia.org/wiki/File:Cambridge_-King%27s_Chapel-_Interior.jpg CCA3.0

I am writing this on Boxing Day 2022, having listened to another performance of Nine Lessons and Carols as is my habit in the Christmas season. At the conclusion of this recording is a 1991 documentary about the choristers who sing at the Kings College chapel, in which one member observes that Stephen Cleobury, their director of music from 1982 to 2019, took great pains to ensure that all the training and intensely rehearsed singing didn’t cause a loss of authenticity in merely beautiful concert performances. The choir exists by Henry VI’s command in order to offer daily worship, not simply to adorn an old and rather pretty building with magnificent mood music for passing tourists, including aural tourists of the aesthetically beautiful. Some of the members of the choir receive communion during the services in which they sing, and have an insight into this mode of co-creation that takes on further meaning because it is a lively exchange between them personally and The Person. This is equivalent to the example of the boiling kettle. We can explain a boiling kettle of water in terms of conduction and convection, the boiling point and the latent heat of vaporisation of water, or we can look further to observe that the kettle is boiling because we would like another pot of tea. White, no sugar for me. Thank You! How do you take yours?

Harry Cunningham Instagram: @harry.digital . Hot tea on a cold morning in the cabin in Albany, Western Australia. https://unsplash.com/photos/JS2ubQTLKak

What follows is both Executive Summary (succinct statements in a technical style) and also some technical justification which did not appear in the original posts. Ironically therefore the first example is longer than the original post! That can be what happens when you are absorbed by scripture, but this also directs us to a principle. Genesis has 1533 verses and 20613 words (depending on which Hebrew version you consult) which occupies less than 90 minutes of a recorded reading. (That becomes some 32000 words in English, so you’ll have to read a bit quicker.) This blog is ten times as long as Genesis right now. I have shelves of books about Genesis, while the university libraries have slightly more. So Genesis is an ‘executive summary’ that skims over most or all technical details but flags up what is significant for the audience that needs to use and apply what could be looked into in much greater detail. It is for those that will execute action in life: the co-creators! This is especially the case in the opening chapters, as they deal with the aspects of the beginning that we could not grasp because we are human creatures. Each part is a ‘black box’ mechanism that has inner workings that are a mystery simply because they are hidden, yet the device has a specific purpose that can and must be properly appreciated. This blog aims to understand what those purposes are, and how they all fit together. I am saying that Genesis itself adopts an heuristic attitude, enabling discovery learning by all its readers, across generations and cultures, in a pragmatic and practical manner that is inclusive, insightful for the masses and open to useful application. Nevertheless, as it is couched in language that is more like the parables than laboratory reports or historical accounts, we are likely to need guides and interpreters to point out what is and what is not significant; what are proper and improper means of use. A further definition of heuristic is by trial and error: I have certainly been down some erroneous paths, barely surviving to make the return trip.

Cliffs of Moher, County Clare, Ireland https://commons.wikimedia.org/wiki/File:Dangerous_Cliff_Edge_%282258425643%29.jpg

I am doing something new

The first post is a reflection on the six-plus-one-makes-seven-days structure of Genesis chapter one. Right at the start of the blog I make a statement by implication, but the reader is left to work this out for themselves. I’ll spell it out for you now: Is it important to focus on the ‘creation week‘ as a claim about what God actually did in the beginning? Answer: No. Is Genesis giving us an insightful account into what God did (in terms of creating this cosmos, in a technical sense) and in what order in the opening chapter? Answer: No. Is it important to think of the Hebrew word for ‘day’ (yom) with regard to the two previous questions (i.e. 24h days?). Answer: No again. So why didn’t I spell out these things at the time, though I am doing so now? Answer: They are indeed important questions, but only in as much as they are to do with the overarching question of how we should read Genesis chapter one (and following). How do we really hear what the significant messages and claims of these opening words of the Torah are? I directed our focus to a different set of ideas about creation in order to address this constructive question. Is Genesis telling us about making out of nothing, about making continuously/ continually, or about (re)making out of what is there already? Or combinations of the three? Answers: Yes and Yes. Dietrich Bonhoeffer, in his dense little book, Creation, delicately makes the assertion that we (especially those of us who exercise our curiosity scientifically) cannot possibly know what happened at the beginning, or what God did at that time. How could we possibly understand? he says. We find ourselves in the middle of things as God has brought them to be, and continues to sustain them in their being. Bonhoeffer might have pointed out that we barely understand what the cosmos is like and certainly do not understand how it continues to be; that being so, the very idea of gaining understanding about the beginning is simply ridiculous. But we are wracked and wrecked with hubris, so we imagine that we might soon make sense of what truly lies beyond us. So abandoning all that perhaps leaves us ready and receptive to asking better questions, such as, ‘What is Genesis really telling us?’ My post makes this suggestion. God is addressing us directly, in the guise of a account about what God did at the beginning, to teach us about various facets of what Creation is about, and how we can be partners in it with God. The day and week framework is a direction to application by us. In its very form Genesis 1 is saying, ‘Here is how God sets you a pattern for creativity in life; watch, learn and imitate!’ Some things are made from nothing: creation ex nihilo. Others are made again from what went before, such as in modifying what we found and made in the world yesterday; creation ex vetere. And some things go on developing, being continually in formation, because what was made yesterday was good then but can go on maturing: creation in continuo. This conceptuality includes, though is not limited to, evolution in our modern scientific senses. For some Christian folk who I do hope will be reading this, ‘evolution’ is a word that has acquired a bad reputation, which is often why I have tended to avoid it in the blog so far. In as much as Science has been able to establish any mechanisms at all, I believe that ‘evolution’ is a reasonable shorthand for the means by which God has brought about this cosmos and whatever life is present in it. (If you are now chocking on your coffee, please re-read the first clause of that last sentence.) This is the approach I bring to what I teach in UK state schools. {That link takes you to my whole website for teachers.} However, there is much philosophical freighting of the term evolution, and that ‘reasonable shorthand’ should not be read as extending to such issues.

In the past I have sometimes been accused of giving an exposition or reflecting on scripture but not giving sufficient attention to application. Well, I am now saying that Genesis 1 is mostly about application. It is not so much giving a description of what God did, or how things went on to (re)make themselves- those are the proper tasks of science, or at least the second one is- but rather a more personalised lesson for the original hearers and us, in the here and now. What does it mean to be in relationship with the God of Creation, whose activities are ultimately mysterious to us, however advanced our science might become? If we are God’s children, made in God’s image and likeness, then we should first of all come to understand in a profound and meaningful fashion what God is like and how God works (in the sense that an attentive young child comes to feel at home with their father and mother and their habits, although they have no idea about most of what the adults do each day) and thus how we might form our own vision and habits after that pattern. Importantly, having sufficient understanding of the word and will and way of God to be able to judge rightly that we are, by the sufficient grace of God, walking accurately in step with Godself. This childlike understanding and aim is evoked by the photo accompanying the text, where children are following one another by example, and stepping into the hopscotch boxes (equivalent to each day of our living week) one after another, in necessary sequence. Our co-creating with God is therefore necessarily bounded within our lives in time, in days and weeks and all the seasons of life. And Genesis shows us, in the metaphor and pattern of chapter One, that God has stepped ahead of us to set a pattern in which we can see His Divine Example, and then imitate and even partner, very much as junior and lesser partners, with God, as God decrees.

To return to the metaphor of the view from the dangerous cliff edge, you will see that we are invited to join God on a good journey in life. Part of that journey involves wondering how it starts, and in Genesis we are directed by the certified Guide. We want to visit the most spectacular vistas, but that is fraught with risk. Both the Guide and the safety signage provide the cautions we must respect in order to travel safely and enjoy the panoramic viewpoints. It would be great if we were always humble enough to travel with a wise Guide and not question their instructions, but that is not the human condition. The most impressive viewpoints demand that the warning signage is planted right where the view is, and that is likely to spoil the picture. That is why I did not spell out the negatives in blogpost 1. I aimed to affirm what Genesis 1 is saying, without spoiling the moment by sticking up unwelcoming signs. It really puts people off.

Author’s photograph.

This is exactly my concern. When I was a young Christian I was greatly discouraged by would-be guides who were very quick to tell me what Genesis didn’t mean, and pointed to science for better answers about origins. Tragically, although they were Christian people, they couldn’t really tell me what Genesis did mean. Their proper desire to be a clear warning signpost wasn’t effective, and I feel that the cliff collapsed under us all. Or to switch metaphors: in wars, some poor folk get shot by their own side. This blog is written in hope that we might avert friendly fire incidents.

Once again, to adopt an optimistic stance: in this first post I am signalling one of the vital elements of creation theology that was completely missing from the Young Earth creation approach. In the view of Ken Ham and those of his persuasion, the reason for searching out ‘Answers in Genesis’ is because the trajectory of God’s Kingdom plan takes us ‘Back to Genesis’. The gospel story, says Ham, leads us through God’s salvation plan in Christ to undo the wrongs done in Eden and to return us to that blissful state as God’s redeemed people. This is the somewhat like the error of the ancients, to assert that history is a repeating cycle. But Henry Morris, Duane Gish, Monty White and my other teachers were making an incorrect assumption in asserting that Genesis ought and should be read to exclude the operation of evolution as a partial mechanism of God’s creative actions, past and present. They were right to operate on the assumption that God’s Word should hold sway over and above the limited insights of humans, some of whom plainly set out to harness rationality for atheistic ends. But the cosmos God created did then evolve, once it was formed. This being so, we need to return to the biblical texts, including Genesis, to better discern, with God’s aid, to learning the lessons the Bible really offers to us about creation. Crucially, we are in the middle, as Bonhoeffer put it, between the first creation and the second creation, the ‘New Creation‘ of the last book of the New Testament. Creation must be properly understood as the activity of God both at the start of what we now see as life and also at its temporary conclusion. Our American Christian young earth creationist friends jocularly described ‘evilution’ [their misspelling inspired by certain accents, to assert the wickedness of this allegedly antibiblical concept] as the idea that we originated ‘From Goo to You by way of the Zoo,’ and therefore that authentic Christian confession should be grounded on the belief that Genesis gives a scientifically literal account of what happened, and so there need be no argument about whether Genesis is scientifically or theologically revelatory. The first is so, and the second follows straightforwardly. I was happy at one time to work according to the hypothesis that God could have made the cosmos in this manner, but I no longer have any need of that hypothesis. We err if we accuse God of either inability or incompetence. It now is plain to me that we engage in a category error if we expect the beginning of the Bible to be about science, but not what follows. The whole Bible (not just its ten opening chapters) is a testimony to God’s Creation project. It starts with a theologically-framed introduction to creation (including ‘nature’, as we frequently describe it- terminology perhaps embraced as it unhinges creation from Creator), takes us through the journey of salvation history with Israel, Christ the Messiah and the Church Age, and alerts us to the theologically-framed announcement of the second, New Creation, in which life (as biblically understood and formulated) will be seen to transcend physical death and transition through God’s making all things New into all-and-whatever marvels and mysteries lie ahead in our being as the Body of Christ. ‘From Goo to Glory,’ if you will. It is a reductionist error to assert that the Genesis scriptures are ‘about’ the processes of scientific origins. What we should have said is that coincidences between the humanly accommodated narratives of the Hebrew bible and the findings of cosmology and palaeontology are not significant in what the message and meaning of the revealed scriptures actually is. What we should be saying is that the fact that we are created in the image and likeness of God and that we are fleshly creatures made (we now understand) from recycled stardust and evolved genes is the basis of the Incarnation which we celebrate at Christmas. What we should be saying is that in the Will, ability and competence of God this present chapter of Creation will pass on into the next, though as with the first origin, we also understand next to nothing about how that will happen. What we should be saying is that it is no insult to the omnipotence of God to discover that the processes of atomic evolution took so long, or likewise the diversification of life through multiple iterations of the tree of life, most of which went extinct long before Homo sapiens appeared. (Or as Ken Ham pejoratively puts it, ‘evolution through death and billions of years.’) What we should be saying is that mortality will put on immortality, which is a claim that transcends science.

50 I tell you this, brothers: flesh and blood cannot inherit the kingdom of God, nor does the perishable inherit the imperishable. 51 Behold! I tell you a mystery. We shall not all sleep, but we shall all be changed, 52 in a moment, in the twinkling of an eye, at the last trumpet. For the trumpet will sound, and the dead will be raised imperishable, and we shall be changed. 53 For this perishable body must put on the imperishable, and this mortal body must put on immortality. 54 When the perishable puts on the imperishable, and the mortal puts on immortality, then shall come to pass the saying that is written:

“Death is swallowed up in victory.”

1 Corinthians 15:50-54 ESV

Note that ‘transcends’ does not mean ‘contradicts.’ As I explain in the teachers’ website, some of the things that happen can be described and investigated scientifically, but others cannot. This is only to show that Science is a limited discipline that, while generating much knowledge and thus the potential for us to manipulate the world for good and ill, puts no limits at all on what else God can make possible. Call that miracle if you like, but don’t suggest that God is somehow misbehaving when such ‘irregularities’ and the ‘unusual’ occur. Ken Ham and Co are right to join Karl Barth in emphasising the vital necessity for revelation. We can trust the significance of the resurrection of Jesus Christ at Easter, on Sunday the 5th of April 33AD, because God has given corroborated testimony to all of humankind in the four New Testament Gospels, and in the consequential effects in our shared history that followed, beginning with the Book of Acts.

In sum, my first post at least hints at these assertions about the doctrines of creation in Genesis 1. God is the pre-existent One, the Creator of everything. Everything, including us, depends on God. God freely chooses what to do, and gifts us with freedom to do likewise. In the creation week we are beckoned into a partnership relationship with the sovereign God of all, a partnership that has physical and spiritual hands, best exercised in tandem, where our ‘business’ and our ‘prayer’ are equally active. Through this partnership we can transcend the natural creativity of the humanists to co-create with God in remaking what was already there- perhaps including the repair of what was broken. And in developing what was good yesterday, and progressing to what is even better. And even in creating from nothing, making things that were not, from our sanctified imagination, especially at a corporate level. The positive claim is this: there are creative creatures in God’s world, including Cactus finches, Japanese macaques and sign-language speaking Gorillas, as well as moonwalking Men. But it is God’s imago Dei human beings that have been invited into a divine covenant that can respond to God’s gift and call to partnership, to co-creation both in the here-and-now and also in the hereafter. We can discover the fruitfulness of this relationship one day at a time.

Introducing myself as a ‘Common or Garden’ Theologian

This blog is being written as an alternative to something else. It was conceived in the spring of 2020, as the lockdown period of the COVID-19 pandemic extended across the UK and beyond. My progress as a serious student of the intersections of science and the Christian life had passed well into its third decade, but I had yet to commit myself to print to any significant extent. A long period of postgraduate study under the supervision of a significant thinker in science and theology had enabled considerable progression in my development, and opened the way to many significant opportunities, but I did not find the format of the academic thesis to provide the appropriate setting for what I really wanted to say. I may return there another time, for there is great value in the intellectual rigour of that format. But the unexpected and unpredicted opportunity of extended lockdown enabled this blog to form in the moment that was March 2020. Tempus fugit, carpe diem. and all that. But crucially I decided I was ready to use the sandbox of a blog to attempt the more or less instant formulation and publication of my thinking that had had been shared in a limited manner at that stage. Not so much that time was passing, but rather that The Day had arrived.

I considered what the blog could be called, and how I would formulate this space in which my musings would take form and flight. My personal life motto is ‘Word into Life’, which straddles books and living experience, teaching and learning- which are what I’m always doing, one way and another- and it also encapsulates my specialisms. Genetic code becomes living organism, and the Word of God is offered to individuals and the world as the basis for Life- the life of men, and the basis for Life in the Eternity of God. How exactly to translate that into a lively and appealing title heading that would forge an organic link between the personal and the profound? It came to me more or less in an instant.

“Common or Garden… theologian.”

A thorough search ascertained the important criterion of originality as a blog and web identity. More excitingly I discovered very little evidence of the use of the concept anywhere, and what I did find was deeply encouraging. First, I found a quote, still unsourced, attributed to none other than Karl Barth, who described himself thus. Sometime I will get to a specialist library to get to the bottom of that original occurrence- as far as I know. The only other use was by Gerard Mannion, Irish Catholic theologian who passed before his time, aged just 49 a few months before the pandemic started. Until I looked up the phrase, I’d never heard of Mannion. He deployed the phrase in a letter defending another academic who was under the sort of persecution that Galileo would have related to. I haven’t written my extended reflection on these resonant coincidences yet, but I promise to do so. Suffice to say I had discovered a label for the space I intended to fill with words that was just the right shape: a round hole, waiting for a round peg.

And as the Sproul quotation about all Christians being theologians conveys, the conceptuality of ‘common or garden’ was exactly what I was looking for.

[I find that Barth said the same thing. “In the Church of Jesus Christ there can and should be no non-theologians.” And that’s not all. Maybe some Christian folk understand how important it is that theology shouldn’t be limited to theologians. “Theology is not a private subject for theologians only. Nor is it a private subject for professors. Fortunately, there have always been pastors who have understood more about theology than most professors. Nor is theology a private subject of study for pastors. Fortunately, there have repeatedly been congregation members, and often whole congregations, who have pursued theology energetically while their pastors were theological infants or barbarians. Theology is a matter for the Church.” – Karl Barth.]

Everyone is included, potentially, if we will- and the will of God is that we should agree. There is room in the plan and grace of God for everyone’s thriving. ‘The boundary lines have fallen for us all in pleasant places,’ as the psalmist put it. The proper theology of Creation is not to be limited to arcane and abstract exercises in academic boundary work between the Jewish-Hebrew worldview and metaphysical musings on the philosophy of stellar and biological evolution. It certainly includes that- but what I had settled on as my core message, that God wants us to create the future with Him has much wider compass- which should be no surprise once we realise that the vast and ancient cosmos of which we are part is required in order to enable the existence of this pale Blue Dot, Earth, that we currently know as our Home. ‘Creation’ is not a doctrine of theology or of science that is chiefly about the past. Rather, it is about the Present, our shared gift of the God of Creation who makes and sustains us all, which is continuous with the Past- because God is consistent and reliable- and reaching into God’s Future, which God invites us to continue to share. The doctrine of Creation, I now see, is as much to do with the experience of conversion that believers share as the more familiar aspects of ‘the gospel’. And it should underpin our shared life as the people of God in God’s world, in which we find our opportunities for individual growth and expression. As I meet the Lord Jesus Christ, I find myself, coming to know Him and me and you all at once, though we are on our own various journeys in life.

At the time of writing my introduction, those ideas were expressed in my brief reflection on the bible character of Stephen in the book of Acts. I won’t rehash that here. Suffice to say that my retelling also reflects on the Genesis phenomenon of Naming. We observe as a truism that we generally come to judgements about (people/ even things) on powerful first impressions, and one of those impressions is the name. Names are given, and the creative act in question is the choice that our parents make. As God brought the animals to Adam, it says, the creative acts of God were augmented and in some way completed by the naming process. Of course, everything has to be called something, and it may typically seem that words are just sounds that signify distinction by difference in sound, but some sounds convey and confer more meaning and thus significance. I shared my personal understanding of my name-identity in the blog post, and then when my mother read it, we had another conversation that had not happened before. So we created some more strands in our relationship.

The big claim I made is that it is the proper business of the Christian theologian to situate themselves on the boundaries between the Words and traditions- new and old- of our living Faith and all the other aspects of human life in the gift and grace of God. For me, of course, this is what I see as a major expression of my own being a co-creator with God. This statement continues to astonish me, and I think clearly accounts for my reluctance to commit to other forms of formal work in the past. Let me be clear. The very concept of co-creation would be hubris, were it not the genuine calling of Christ to us all.

Unlocking potential: Joseph and lockdown

When teaching lessons in Critical Thinking to school students, an early class is on the topic of arguments. “Critical thinking means being able to make good arguments. Arguments are claims backed by reasons that are supported by evidence.” Here, my principal argument is that while it is true that Genesis is the preamble to the Torah account of the founding of Israel as the People of God and the means by which God brings Salvation to all, it is a mistake to underplay the significance of the doctrine of Creation in Genesis, as though what is being created is the people of God in the descendants of the 12 sons of Jacob who are a blank page on which the spiritual action of scripture is then worked out, ultimately in the Messiah. Why such a mistake? No one denies that the human beings who feature in the scriptural accounts have agency of their own, but the scale of this agency is, I am underlining, underestimated. Apparently, godly people really shouldn’t try to do very much. The evangelical Christian position is that at the Fall whatever free agency humans might have been able to exercise was fatally compromised, and the rest of salvation history is the work of God, in which the human contribution, very necessary and crucial, certainly, is best characterised by humility, obedience, and, most of all, the invisible function of faith. Since the basis of our rescued relationship with God is founded on death to self and faith in God, it is most visibly expressed in religious practice; worship, prayer and the quiet community activities of Church. The ‘working out’ of salvation as St Paul puts it is in the realms of private piety- or at most, in the exercise of the multifaceted ministries of helps, in public service, or perhaps somewhat reluctantly in the public facing calls and protest for social justice. What should the Christian attitude to business be? We aren’t quite sure, as the book of James seems to be somewhat suspicious of that activity. Does our present era of scientifically empowered technologies and the hankering for Progress have a basis in Christian discipleship? Is the Church of Jesus Christ supposed to have a vision for making the world better, or is that a heresy? The gospel is the means of escape from this world, and we are only sent, told to GO! back into the world, that wicked place, in order to preach and witness and snatch souls from the soon-to-arrive flames of destruction that will consume the world, the flesh and the devil. In the meantime, we should just support the maintenance of the status quo, in as much as it is peaceable and sustainable.

To continue with my reasoning: I think that while there is soundness in the general disposition of Christian mindset to value the eternal things, first and last, what the lives of the peoples of God will amount to in the hereafter after our deaths and the general resurrection and judgement- so of course the gospel witness to Jesus Christ is of paramount importance- this viewpoint overlooks God’s intention for His Creation in the here and now. The Genesis account, and the wider scriptural materials that provide us with a doctrine of Creation, does not tell us to give up on the world, as if it is a wicked thing and a bad place; that is the error of Plato. Nor does the Genesis account give us reason to abandon human agency and energetic human activity as expressions of the original creative intent of the God of us all, whether we own Him or not. The evangelist is right- we are fools to attempt to work for our salvation, as though we could earn anything that will count before the judgement seat of God. This is foolishness because all we need to restore our broken relationship with God is believing faith and reliance on the person and work on the cross of Jesus Christ. Salvation in no other Name! But the Church has allowed the theft of a crucial part of our calling as God’s human creatures: that we can continue as creative partner with God in tending and developing this good Earth that God had trusted to us all, and over which negative spiritual forces and personalities only have partial sway. This world, and our lives in it, may I say, whether or not we are believers in Christ, is still the proper place for working out our creativity in the common grace of God. I hope you see where I am going: And how much more so if we are believers in Christ and sharers in the conviction that life for everyone and everything can be so much better if we work out our eternal values in partnership with Immanuel, God with us, empowered by His Spirit.

That is my claim, and those are my reasons. What is the evidence to back up this claim and this reasoning? The book of Genesis, that is, all of it.

Here is a good example of a Genesis summary, by Jeffrey Krantz 2018 https://overviewbible.com/genesis/

I love these poster summary diagrams, and I expect you will appreciate the animated versions at the Bible Project too. Jeffrey’s telling above is thoroughly sound and representative of the best. But this blog offers a specific correction or modification to this sort of telling. The traditional theological view has been that the first portion of Genesis is Primaeval History, and this is an important but brief prelude to the real action, which is God’s call to Abram and his descendants that bursts out with theological fireworks in chapter 12. This is the real start of ‘Bible History’, but even the life of Abra(ha)m is a muted testimony to God’s salvation-of-the-world project. The rest of Genesis still doesn’t deliver a spectacular new start- we have to wait for the Exodus for that: Moses and the ‘Let My People Go!’ stuff. The generations of Abraham’s descendants keep mucking up, though God doesn’t give up on them.

But hang on- do you see the last brown box bottom right in Jeffrey’s poster? That’s the life of Joseph, and his family- which covers chapters 37-50 of Genesis! That’s a lot of chapters and text simply to explain that Jacob had 12 sons that are the seeds of the people of Israel (Jacob’s other name) who will later be rescued by the power of God and God’s spiritual leader Moses. And there is a lot of emphasis on the agency of Joseph in these chapters, an agency that is blessed by God, but where we see Joseph’s agency in the foreground, and God’s blessing in the background. And at what a scale!

In short, my evidence is in an appeal to the whole book of Genesis as the basis for our proper place as co-creators with God in the now, a status and scale of calling that can still have world shaping consequences. A scale of potential impact that is significant even in a pluralist society, where those who see themselves as God’s people can work constructively with others who own a different god or no god at all, to the benefit of all. What God started in God’s charge to Adam in the Garden is still in effect; it has not lapsed! God wanted Adam and Eve to co-create in His Garden, and we see this capacity continue after the expulsion from Eden. Supremely in Joseph, we see this potential realised: what God intended for Adam, but was not realised due to the turn to sin, is yet realised in Joseph. Genesis comes to a spectacular conclusion in two ways- one familiar, the other less perceived. God doesn’t give up on humanity, or, indeed, his whole creation project (as Noah discovers), and so Israel finds its genesis as a nation in Egypt (Genesis to Exodus). But in addition- this is so important- there is also a significant deposit of revelation in the Joseph account that God does not want us to step back from the proper exercise of human agency in this good world, even once we have grasped the ghastly implications of our spiritual predicament before the Eternal Judge of All. God’s work to bring salvation in the world God ultimately owns is mysteriously subtle, hinging on the smallest but crucial human responses (eg Abraham and Isaac in Gen 22). The co-creative work of God’s faith-living people is also subtle in the main, and especially so in Joseph’s case- we are schooled through his slow elevation until he gains willing hearing in the foreign culture that is the ancient Egypt of his common slavery. He becomes second in the land, charged by Pharaoh to till and watch over his whole country in advance of a tragedy that he has only dreamt about. There is no change to the mortal end of anyone, but in Joseph’s co-creating leadership we see the full potential for a life of piety and good character worked out even to the saving of nations in the greatest global disasters. Above all, we see that God’s intention is to nurture hope in His human creatures, a signpost to life hereafter.

The Genesis summary diagrams need to be redrawn. My story here is a contribution to that project, written in the context of the new COVID pandemic, when we could only dream of the scale of disaster, or of the possible means of rescue. This is its first chapter.

Like so-called ‘Easter eggs’ in popular movies, I allude to several Genesis themes and tropes in these pieces on Joseph, in order to emphasise continuity and connections between the parts of the Genesis narrative.

Joseph’s dreams reprise the creation of heavenly bodies, and recalibrate our understanding of what Genesis is ‘about’.

Just as God accompanied Cain, so He accompanies Joseph into exile: Immanuel in embryo.

Following Joseph’s betrayal and enslavement, (cf chaos over the waters) Joseph is blessed by God, and his life progresses from good to very good (cf God’s pronouncements in Gen 1).

Following the principle of naming in Gen 2, Joseph is known as Hebrew (man of God) while his accuser is Potiphar’s Wife. The imago Dei is worked out in their identification and description, even though Joseph’s mistress makes choices at odds with divine intent.

The reality of experience as a prisoner can also be read to affirm human agency at all levels. There is no fantasy here. There is divine intervention, but the balance of emphasis is on the interplay between human character and rational consequences.

As he matures through human trials and circumstances, Joseph is at work in God’s good world, broken though it is at all levels of human society. There is a continuum in his work, between what we might have called ‘secular’ concerns and ‘spiritual’ ones. There is, in fact, no distinction in the Genesis worldview; no difference in value.

The furnace and cauldron of destiny is in the heart and mind of the man of God, in the integrity of his being, and of the liveliness of relationship with his God and neighbours of all sorts and levels of seniority.

I then make the leap to suggesting that imagination can be equally harnessed to the challenges of (false) imprisonment (illustrated by the case of Terry Waite) and also to technological challenges, including unlikely cases of lighter-than-air transport. I am making the point that the lessons of Joseph’s thriving in oppression and imprisonment apply in our current circumstances, whether that be a life-threatening pandemic, or otherwise.

As I set out criteria and explore the potential of the co-creator concept, two points must be paramount. The first is that while we come to take more seriously the implications of being made in imago Dei, we remain the junior partner to our Sovereign Divine partner. “Co-” does not mean equal, in any sense or form. The second stems from the first; God is in supervision of the timing of the opportunities that arise for human agency. In this case, Joseph’s deliverance and elevation awaited the invitation of the True God to Pharaoh, and this was synchronised with the (distantly) impending (global) famine. And yet, to repeat, God does invite His people into partnership within these constraints, and the potential for radical co-working is still considerable. At the time of writing, this had a ready application in regard of prayer and adaptation to the developing COVID challenges at all levels of our lives.

Interpreting troubled times: Joseph and COVID

At the start of the Genesis 1 creation account, God’s considered work begins in the context of ‘chaos and void’, or tohu wa bohu as the Hebrew has it. This is notable as this narrative element is a key feature even of the initial chapter in which God is depicted to be in sovereign control, and each day’s good work is brought to a very good conclusion. Perhaps this makes it easier for us to consider our beginning in each new day, whether in circumstances of lockdown or trial of some sort. The circumstances in which Pharaoh is made aware of God’s man in his jail come about through his awakening from disturbing dreams and finding that his spirit is troubled. The first recorded work of God is described in troubled circumstances- and so is the raising up and releasing into influence of his imago Dei man Joseph in Egypt- from ignominy and incarceration to grand office and gilded chariot.

We will affirm, no doubt, that God is properly concerned about the state of the world, and the state of each nation within it- the big concerns of the world are indeed God’s concerns. Yet we don’t often see evidence that this concern is expressed, or that God’s people are motivated by concerns at the macro scale. We default to our local and individual concerns, even seeing this as the proper spiritual response. The big stuff is concealed and shrouded in mystery, marked only by naïve platitudes and sweeping generalisations. “God’s in control. It will be alright in the End. God’s plan will prevail.” And suchlike.

It’s not really our business.

‘Lord, my heart is not haughty, nor my eyes lofty; neither do I exercise myself in matters too great or in things too wonderful for me.’ Ps 131:1 AMP.

That is not the picture painted in Genesis 41. Seven years ahead of global disaster, God disturbs the waters of the heart of a heathen ruler. God has his imago Dei partner ready in the wings, and the stage is being set for the announcement of God’s ambassador to the greatest court on Earth at that time in history. And this ambassador is not simply the representative and mouthpiece of the Almighty who speaks to the near and eternal destiny of all peoples- Joseph is also offered as God’s co-agent, and such he becomes, for he is filled with God’s Spirit.

God’s prepared boy-become-man Joseph, tested, human, frail, and faithful, blessed and prospered by God ‘who works in mysterious ways His wonders to perform’ is the person in whom attentive listening and observation, analysis and interpretation, wisdom and revelation all come together, for these are the marks and qualities of God’s co-creative partner. Crucially, these are all inextricably interwoven with a fulsome appreciation of the world as we see it with all our human senses. Joseph is an educated man, in the sense that he grew up in the realities of farming and animal husbandry and the ways in which those activities underpin survival and culture. So as he humbly speaks in Pharoah’s courts of God’s intention to sustain Egypt’s survival into the distant future, this leads to practical assertions of strategy. He does not settle for a nebulous invocation of blessing (compared, say, with a popular decontextualised quotation from Jeremiah 31) but follows on from the inspired and accurate interpretation of Pharaoh’s double dream to the action points and detailed content of a Governmental Policy that should be enacted at scale- the whole community, for and involving the whole nation.

In the purposes of God for raising up Israel as His people, this lesson was not remembered, but it is recorded in Genesis for such a time as this. The principles and purposes of God in partnership with God’s people have not been changed or lost. Though we may need to be reminded.

The example and lessons of Joseph in Pharaoh’s court must surely include that God does intend our revelatory reasoning to win the day in courts and offices of state. However rarely, imprecisely, temporarily or otherwise qualified; nevertheless, the yeast can have its effect throughout the whole batch of dough and work effectively to its complete transformation into a healthy and sustaining thing. The small dose of salt will be tasted- a transformation in flavour and satisfaction, and a profound preservation of the whole, extending life. In both metaphors we see a prophecy of transcendence of this reality that begins in this reality: life blessed in the now that leads to blessed life hereafter. Under God’s blessing, our fragile and evanescent lives can be set on a path to a Reality that is less tenuous, death is pushed back with hope, and where Promise is realised.

Crucially, I put a case that the proper concern of God’s leaders should include skilful knowledge gleaned from science, medicine and technology. The COVID pandemic is an exemplar of this, where learning from Scripture and all our Scientia synergises to “a wisdom that can bring together the pertinent considerations of medicine, statistics, science and society, spirituality and piety, business and farming…”

We note the ways in which the clamour for action especially when we are confronted by disaster- ‘something must be done’- inevitably leads to a cacophony of voices in the public square where the worst motives and weaknesses in character of leaders and would-be influencers at all levels are exposed. It is in this regard that the good character of God’s people can also provide a crucial resource. It may be the crucial resource. Others may be more knowledgeable and more skilful- but that does not mean that ‘the science will be followed’ or that best efforts will be deployed. And this is yet a hard lesson for God’s people, who have not always given proper attention to the growth of rounded and wholesome character that is called for in this regard.

I refute the traditional model of piety that sees its fulfilment within the context of church meetings. This ungodly motive led to the unreasonable call to open church buildings and allow considerable numbers to meet for ‘vital’ worship, thus leading to new waves of COVID infection and the untimely death of congregants and leaders alike. From my later perspective looking back on this blogpost, I am happy to allow that there may have been appropriate expertise in Sweden’s privileged case (see footnote), but that it is plain that the uncontrolled spread of coronavirus in Malawi and much of Europe and America was tragic and only controlled, if it was controlled at all, by energetic restrictions on community mixing and contact. The human cost has been considerable; I mention Malawi as a local Christian minister there at the time told me of a swathe of deaths of Christian leaders that has now left the country further bereft of vital leadership. Many died because of their denial of the realities of epidemiology. The God of miracles is the same God who inspired Leviticus 13 to 15.

So we need to strive for a much greater maturity in our considerations of faith AND science. The quality of leadership I am calling for must be more properly informed and considered in this respect if we are to be of real service in the world in this present century, and if there is to be a positive legacy from the community of faith as we face challenges on unprecedented scales in the near future.

Footnote. For clarity on the question of proportionate lockdowns, I include this quotation from the Daily Telegraph on 23 3 23:

In March 2020, as, one by one, every country in the Western world succumbed to panic and imposed a lockdown on its population, Sweden’s state epidemiologist held his nerve and stuck to the plan. The Swedish people would be given sensible advice and told to work from home wherever possible, but apart from a ban on gatherings of over 50 people and a few rules for restaurants, any Covid measures were entirely voluntary. Anders Tegnell simply didn’t think the evidence supported a lockdown. A veteran of the swine flu pandemic who had worked with the deadly Ebola virus, the 63-year-old doctor wasn’t going to do something unproven or plain stupid because a lot of over-heated people were yelling at him to do it. 

https://www.telegraph.co.uk/news/2023/03/23/anders-tegnell-swedens-pandemic-plan-lockdown-never-agenda/

Obadiah, God’s secret leader in crisis.

I claim that Joseph is presented to us in Genesis 37-50 as the epitome of becoming a human co-creator with God. [Very much in the context of the lives and decisions of his wider family, both parents and siblings.] And that the concept of co-creator is not the exception, but is to be a pattern for many. So there are other biblical examples to draw out and reflect on.

One of the five biblical Obadiah’s features in 1 Kings 18; he may have started out as a regular guy, but he becomes exceptional. By contrast with Joseph, Obadiah is a bit-part player in the royal court who is not further promoted. Many of us work for someone else, taking care of their agenda, our work bounded by our duty to their vision, not our own. In this creative exploration- a story as much as it is a study- I wonder what it might mean to be a co-creator in terms of being (to use modern categories) an employee, rather than as the CEO (or second in the land, as Joseph became).

Very deliberately, my version of the story is couched in the language of business, and in terms of economic realities as we currently typically understand them. This sets the foundation for what co-creation might look like in what is everyday life at work, in the social marketplace, for most of us most of the time, and even more so in circumstances of change and growingly acute crises. 1 Kings 18 shows us an example of what it means to ’till and watch’ in our responsibilities in the world, and especially in as much as we have to work with the (obviously) ungodly.

Obadiah is held up to us as an example of a man who is trusted even by the oppressive and godless King that is Ahab and his ghastly wife Queen Jezebel. It is this depth of character and commitment to the ethics of service that Paul evokes in his letter to the young leader Timothy: 2 Tim 215 “Do your best to present yourself to God as one approved,[b] a worker who has no need to be ashamed, rightly handling the word of truth. ” Note [b] says, ‘That is, one approved after being tested.’ Which is certainly what we see in 1 Kings 18. [And compare with the Eden garden incident, and then with Joseph in Egypt.] What is more, Obadiah’s service is given in the context of deep ethical compromise and the most challenging and uncomfortable circumstances. But all these drawbacks do not disqualify him from the status of co-creator/ co-worker in God’s economy. He lives under an open heaven- God sees him and knows his motives, opening opportunity to preserve kingdom values in the midst of aggressive chaos. The man of God is no doubt himself in danger, considered from a human perspective, and yet he could not be safer, as the scripture maintains.

This reflection emphasises the anti-romance of being a co-creator, a walking-by-faith co-worker with God. The approach of fear is palpable, for the causes are, all too often, multiple and immediate. The partnership that develops between the two men of God in this account also emphasises another important truth: though we are a family/ team/ church /alternative collective and dynamic relationship structure, our roles and gifts are absolutely not the same. The parts we each might come to play as co-creators with God will not be equal, though that is also a factor over which we have some influence. In the final analysis, your role and mine will not be of the same mode, order or opportunity. Obadiah has his roles, while Elijah has his. God alone is sovereign, while each of us finds our own constraints and freedoms.

Most counter-intuitively of all, Obadiah’s experience in this account is that God is not limited to creatively partnering with us in the times of shalom peace- in the spring sunshine of ethical and moral comforts. Not at all; the co-working of Obadiah alongside his spiritual senior Elijah, under the all-seeing gaze of our Great God is brought to its climax in the prophetic confrontation of righteousness and wickedness- this sets the scene for the miraculous breaking of the drought and all the consequences thereof. To repeat: co-working includes confrontation, a creative act that is absolutely not trivial. What is particularly instructive is that God brings Obadiah into the circle of influencers in God’s world: Obadiah becomes a co-prophet, alongside Elijah- an equality in significance in God’s Kingdom coming work, even though not equality of role. And God sees his faithful service, and then tells all his story in due time.

Creating community with concrete

In the last post I explored a biblical narrative of the life of one of God’s co-creators in the form of a story, transposed into our present. This itself is an aspect of what co-creation is about: the melding and interplay of all modes of creativity, as particular expressions of form enhance the expression and communication of meaning. In this next case it is a sermon that is the delivery formula. I claim that the communication vehicle has agential effect, alongside the objectified and abstracted content. (The next post will drive this point home even more energetically.)

In this sermon for the occasion of the celebration and opening for a new church building in a remote Kenyan village, I set up a creative interplay between scriptural accounts of the meeting of God with God’s people at the Temple of Solomon, and then at Pentecost, with the current needs and vision of a local community in Kenya I have had the privilege of living life with over a series of visits. The common felt need was for a building in which the worshipping community can meet regularly, combining shelter from the elements (as when it rains, it really chucks it down!) and the benefits of security and time saving that comes with one’s own property. But more than this, the whole local community might benefit if such a resource is shared and used for the common good. The vision I am championing is that of the European medieval building where the Sabbath meeting place is used for further community benefit as market space and meeting house on the other days of the week. In rural Kenya, this is making the costly investment much more beneficial.

And there was a further dynamic in this development. Over the course of my visits and building friendship-partnership we were able to reflect on a number of practical steps for development that could be brought under the heading of spiritual progress. If community aids to control malaria are successful, the whole community benefits, and we need not argue if this is a spiritual or practical matter- to be blunt, these categories ought not to be pitched against one another. If cooking is done over three stone fires, fuelled with locally sourced timber, this affects all manner of aspects of society, not least the polluting of villagers huts and the general contamination of the air all must breathe. Is this a spiritual concern? Yes. Is this a concern that can be considered as amongst the proper activities of churches and church leadership? Absolutely. The community meet most weekends to hold a funeral for some neighbour or other, as the health impacts of the lives they live in such reduced circumstances are chronic and acute. Does God believe in progress? I suggest so: the blessing of God’s anointing filling fire at Pentecost is much more environmentally friendly that it was in Solomon’s day!

This sermon therefore takes one example- improving the techniques for cooking in health sustaining ways- of our growing awareness of the challenges of sustainability, environmental health and the climate crisis to bring this whole area of current concern within the ambit and aegis of church leadership and vision for development. My claim is that the sermon itself is a proper vehicle for both the message and the work, or ministry if you like, of the people of God: just as we watch and take care of the business of people and their souls, so also at the same time and in the same words we watch and take care of the sustainability of planet and all that stems from the good gifts of creation that God has placed under our sacred stewardship.

Which comes first: the wine or the wineskin?

I start at the deep end: to what extent can we deal with the question of ultimate origins? In what ways does Genesis (chapter 1) give us assistance, or offer insight, into this profound enquiry? I offer some science-and-theology analysis in a brief non-technical manner.

Image by Free Fun Art from Pixabay

I draw a parallel between the creation-of-Israel account in Exodus with the creation-of-everything account in Genesis, linked by the spoken-words-into-life dynamics of Moses in partnership with God in Exodus. In Genesis the Divine utterance that forms and shapes every thing has no assistant- unless we count the Spirit that hovers (or broods) over the waters. Is that too dangerously close to the theological anachronism that is New Testament theology of Trinity imposed on the monotheism of orthodox Judaism? Yes, and then again, perhaps not, as the figure of Wisdom accompanies the creating Divine elsewhere in the Hebrew Bible. Or perhaps the seed is being sown that we, the readers, might become the co-utterers of these creative words, even as we read them aloud to the congregated hearers. In this analysis we may approach the time and place where the Beginning was, but we certainly will not go through- that is impossible!

Most significantly is this claim: that the first Divine creation, ‘Let there be light!’ finds this parallel in the mouth of God’s foremost servant Moses, ‘Let My people go!’ The called and commissioned human creature becomes co-creator with Godself, uttering God’s own creating-by-speaking words. As Moses speaks and names My people, so that is what they become, though through labour pains and the resistance of the then-Pharaoh.

I continue in the same metaphysical vein: we partly understand the dynamics of words in our world, though they are still yet mysterious. I evoke this mystery by discussion in terms of the plasma of incendiary combustion that undoes the three-states-of-matter classification of solid, liquid and gas, and then link from there to the mysterious pillars of cloud-fire that accompany the wilderness-wandering Israelites.

Is God’s creative work finished at the conclusion of the Genesis creation week? Though there is Sabbath Rest, this is NOT the end of creation- which may be a surprise. There is not merely one creation week, but many, punctuated by the sabbath that points to unrealised potentiality in God’s not yet creation. This is later revealed in the resurrection, which itself is not the conclusion to New Creation: which should perhaps have been obvious, but turns out to continue to be a well-kept secret. In all these steps we are led to the understanding that Creation is a many faceted living jewel, only the first flashing glimpses of which are portrayed on the first page of the Old Testament. The conceptuality of creation is emphatically not done with within the first few pages of the Good Book- I refute this entrenched error.

Just one of the principal means by which we are charged to speak God’s Word into being with God- our own voices giving faith-filled utterance to God’s thoughts is in the faithful preaching and witness of Good News to all persons. ‘…by all means possible, and if you have to, use words.‘ There must be words, for at the end, it is those who confess Christ as Lord that are saved.

Then follows a detailed analysis of the metaphor of the wine and wineskins in Mark 2, Matthew 9 and Luke 5. Unlike in modern brewing and fermentation techniques (with metal vessels and bottles and so on- though wooden kegs and barrels may also feature), the wineskin itself is changed by the process of maturation and creation of the wine. It is not possible to draw a hard and fast line of distinction between cause and effect, process and substrate; rather, both the skin and its contents are transformed. Importantly, the biochemical processes may be understood now, but they weren’t then: the mysteriousness of the process is part of the lesson and the claim. It is less a case of ‘Creation from new’ as it is ‘Creation from the old’, and ‘Creation in continuity’, with the partly understood action of yeast transferred from batch to batch. Furthermore, the identity of the wineskin is strongly indicated to be to do with the church within which we as individuals are brought to maturity, even as we bring maturing influences to others. The ekklesia of God is to be considered a co-creative agent as much as the individuals of which it is at any one time made up.

I conclude with a brief considerations of the areas of our individual and community life that might profit from a critical analysis and review in the light of this new understanding of creatio continua.

Executive Summary 1

This post is the first attempt at what this fulsome review is that you are now reading, for the posts up to this point. I note in my ‘Introducing myself’ commentary I made the assertion that the dynamic of the ongoing agency of God with God’s people comes considerably- but only partly- through scripture/Revelation, and ALSO (which is why ‘partly’) by God’s Spirit. To spell it out: we are accompanied by the God who Speaks new things into being, especially if we will speak them with God. We are accompanied by the Life-breathing Spirit, if we are refilled with the same. We are being renamed by the Namer of Things, as we name and rename that which is remade, or made even for the first time, as we together prepare the New Creation. In the biological metaphor, as we have been gifted life, we are totipotent- and that full potentiality is achieved in the ideal environment, which is what God brings in God’s sovereign determining to co-create with God’s people, individually and corporately.

Joseph, the matured dream recounter-meditator-interpreter, filled and covered by the Spirit of God, co-broods with God over the chaotic Earth and its fragile inhabitants, to bring order and shalom. Above I spoke of the way in which we find our contribution is facilitated and our potential can be realised in the ‘environment’ that God oversees- this crucially includes the aspect of timing. This comes out more strongly to me as I consider my description of Joseph as a seed- a buried-in-the-dark germ of potential- his own awaiting the revealing of the sons of God. Like Esther trapped in the harem-‘palace’ for such a time as this. God is not approving of the muck under which we may be buried (God is not responsible for the moral ills that surround us, the as-yet unaddressed injustices we continue to practise upon one another; all the chaos of our globalised community), but the muckiness of the dirt and muck is no obstacle to the sovereign upheavals that God orchestrates. He is, after all, the God Who raises the dead.

No surprises there- well, there shouldn’t be.

Then again, yes there should be surprises, for the General Resurrection is to be but the first Step into the consummated New Creation, when God’s creation project moves to the next stage that we can behold from this present vantage point. And what we shall be has not yet been made known. What we do know is that we shall be delighted to be glorified with the Glorious Christ, hidden safely within the Revealer of God’s secret future.

It is in the climax of Genesis in the lengthy account of the sons of Jacob, Joseph and his brothers, all separated for so long, but then reunited because God intended it for good that I see the cosmic scale and the human-with-God scale of Genesis combined and brought to climax-resolution. In the opening lines we receive a beautiful depiction of the works of our beautiful God, who makes things and makes those things to make themselves. God’s perfection is sovereign over the allusions to imperfection admitted in references to ancient myths (of chaos and the like) and the mystery of theodicy. We now understand better what the original readers only guessed at in their star gazing- the huge scale of the solar system and galaxies in which we are placed, separated by so much space. Yet they are brought together in Joseph’s dream, as figures of his family, temporarily separated and parted across a great gulf, before finally being dramatically and truly reunited. The dream of co-creation that Adam and Eve fall short of is realised in the family of Jacob, and most particularly in the life mission of Joseph, who stands as an example for all who follow.

On the follow up (‘Interpreting troubled times’) I explored the proposition of Open Theism, in which God has not decreed or predetermined the details of our presents and immediate futures, but rather empowers our agency, individually and thus corporately, under the ultimate sovereignty of the Divine. Our agency is, I assert, in fact commissioned, charged and gifted to us at a largely-as-yet-unrealised scale amongst the collective peoples of God, distributed across a multitude of divided denominations. My assertion is that our situation is much more charged with possibility and potential than we have been schooled to embrace. My assertion is that we should be following Joseph’s example of preparation and readiness much more seriously and energetically than we have been schooled to embrace. We have been encouraged to work out our salvation with fear and trembling, but not so much to engage in the marketplace business of managing the world in which we find ourselves, the creation under our continuing stewardship that is in fact much more at our disposal than we have accepted (and certainly much less under the sway of real but mysterious agents opposed to the kingdom rule of God, revealed gloriously in the victorious Christ). Ultimately we do well to admit that God is more in control of eternal destinies than we are, but we have neglected responsibility for the upkeep of the House in which we now live and have our being, for which we will find ourselves principally accountable.

I concluded in this manner: “To put it as my manifesto: God wants us to create the future with Him. Right now, the nations are looking for Joseph-like image-of-God-like overseers. Who will they find? Will you get ready? For us as for Joseph the young dreamer: God’s creation is waiting for us.”

Obadiah (1 Kings 18) is an example of a man who lives in reality, at the collision of the categories of life in our minds and hearts; the tectonic plates of the secular and the spiritual: the meeting of the ideal and the pragmatic, the life in the now of chaos, crisis, of living as a person of character and principle in the face of crisis and triviality, under the crush of oppression and despotic leadership. Obadiah is not a man who endures with faithfulness, so much as that with God and with God’s prophetic people he acts with significant agency. He does not hold all the cards, he does not have his hands on many of the levers of power. Yet through his significant individual service under God, righteousness prevails, and he is finally seen as one who moves forward the Economy of God (God’s Kingdom, we might say) against and over the economies of humankind, of whatever forms. In that triumph we realise that the sacred and the secular were never to be seen as separate- that perhaps is a sin that the co-creator manifesto stands to refute.

With my friends in Kenya, I reflect that the investment that we make in great temples should be into the corporate Temple of the ekklesia, and its living expression in the community. Everything rises and falls on leadership, opined a wise friend of mine, and so we best invest in making more co-creators who will live and lead at the meeting point of heaven and earth.

Wineskins were known to be in organic connection with the wine produced in them, in a manner fundamentally at odds with the scientific method, in which the choice of materials for laboratory glassware is such that the possibility of reaction with the container itself is (almost certainly) excluded. The fact that the parable delves in detail into this procedure that would be immediately refused by the lab scientist is growingly instructive. Genesis (1-11…) is polemic refutation, I observe, and so it is also a warning against independent human sense-making. What emphasises the ‘You’re not going to understand this in a rational sense’ mode of Genesis 1 is, for example, how the spoken word of God is portrayed as the immediate cause of light, which we know “in fact” has its natural origin in various phenomena of luminosity- which is exactly what the opening passage goes on to admit- the later creation of non-deities of sun, moon and other luminescent objects in the upper heavens.

Just as God’s words of judgement over man, woman and serpent are also creative, so also are Moses’ judgements uttered over the gods of Egypt; they are all means to the restraint of evil and creation of a new life into freedom, however long those journeys may prove to be.

How do we understand the seventh day of resting, from Genesis, and the Sabbath day, in Exodus? Are we bluntly instructed to sit/ stand around and simply sing in the dark, loitering ‘worshipfully’ in this cosmic waiting room for the main event to follow- ie mostly a passive process of patience and preaching to choirs? Or might we learn different lessons from the strange gift of the shared Resting of the Divine- a reorientation to this world of stuff and things? I think the sabbath ties us together with the substance of our reality in a relationship that invites a more transcendent dynamic than that of mere creatures. Our doings are then to be shaped by the invisible order of heaven, by our living relationship with the creator of what we are becoming as well as of what we are. Or directly as our Lord Jesus put it- not so much rule keeping or habit maintaining (though they have their uses) but watching Father, and doing what He is still doing- being about our Father’s business. That is going to be making New, not merely sorting out the stuff in the garage for lack of anything else to do.

Just as God is free and unconstrained in Creation in the beginning, creating the universe out of free love, not out of any obligation, or within any bounds of necessity, so too are God’s called and gifted co-creators. “I’m leaving you in my Garden to till and watch; I’ll see you this evening and you can show me around.”

God sets up the possibility of unity between God and humankind at Gen 22; Moses enacts the making of the Body to which God as Head will be joined; the greatest act of co-creation.

Godself, the Incarnate God in Christ is the true answer to Platonism. We are led and accompanied from our bind; we are gifted a good life in a good world rather than abandoned as fools in a false fold; the transcendent God who is Unlike us nevertheless takes the form of flesh to sympathise-empathise with us in our weakness, to unite with us in our trials and thus to re-gift us the call to co-creativity and co-creation. {We can explore the bounds of this for the (Not-Yet) believers.}

The locus of co-creation moves from individuals (each equivalent to Josephs) to the Church Age ekklesia, and therefore at a scale fit for the challenges that we face. Nevertheless, the unit of agency is still* the individual, best in hupotasso partnership with God. Both ends of the scale are important: ‘each one reach one’ is the key dynamic for evangelism, while the Church in unity speaks (through actions as well as words) to the concerns of society and planet. Joseph, Daniel and the like do not broker what we might today call spiritual revival; they are portrayed as witnesses in the elite marketplace, with an emphasis on character examples at the level of national leadership.

The LORD, Sarah and Abraham: A study in Encounter.

Genesis is the account-theological history-polemic sandbox-manifesto of God’s dealings with God’s creation, especially God’s people- and that means all of them, all human beings, though the scripture opens our understanding to some of them in particular. In Genesis 18 we are given insight into God’s deliberate concern with His chosen couple, Abraham and Sarah, as there is an encounter between Theophany and the first pair of the new covenant that will become their grandson Israel-Jacob. This encounter is a more fruitful one than that in the first Garden, where God’s Word was rejected outright by the woman (Gen 3:6 and also her husband!). In this case, human freedom, by which I mean Sarah’s agency, is respected, and thus she is drawn into the fruitful purpose of God, which leads soon enough to conception and pregnancy- the child of Promise!

Encouraged perhaps by this surprising turn of events, in which Abraham no doubt notes that his wife’s test of faith is accepted gracefully by the Lord and diffused in a redirection of promise and purpose- God too passes this test (!): Abraham then continues in the same manner. Once the woman was asked, ‘Did God say..?’ and when all the doubting and disobedience was done, God defers the day of judgement. Now the day has come for God to judge Sodom for its persistent, deliberate and studied wickedness- or has it? In this landmark and seminal encounter between the human creature and his God, both agents are portrayed as – dare I say it?- equals. God is still God, and the man his creature formed from dust (and he knows it), but – and this sounds ridiculous, and it would be ridiculous, if it wasn’t in holy writ- God and His man constructively get in each other’s way. At the end, God is still the One who goes on to make the final analysis and ultimate decisions about judgement, but it seems (as the narrative focus shifts back from Sarah to her husband) that Abraham has been elevated to a position not much dissimilar to that of the heavenly council that is repeatedly alluded to in the text of the Hebrew Bible. Now here is what is important: this sort of apparently heretical reordering of the hierarchy and dynamics between God and creature is a polemic-narrative formulation delicately embraced in order to make a more fundamental point about God’s intention for the type of relationship we all have with Godself. The scope of this relationship, says the scriptural text, potentially breaks out of the boundaries of the natural order of things. The facts of life are sound and our trust in them is well grounded- today we now know the processes and limits of reproduction, of longevity and the likely cause and effect processes that will lead to our mortal demise. We are delicately functioning creatures existing more or less comfortably within the checks and balances of our very delicate biosphere, today manipulated to our benefit by science and technology. Within this understanding, fertility is a phase, menopause is a fixed reality, and so is our aging and death. We are creatures whose lives are underpinned and bounded by the non-negotiable of time. In the last decade new leaps in medical technologies keep pressing at and manipulating the thresholds of these phenomena- fertility treatments, premature birth or abortion, life-saving technologies even including gene therapies, transplants and chemotherapy- but my newspaper now tells me that the long trend of increase in life expectancy is tailing off, in the UK and globally. All of this current commentary is anachronistic to Genesis 18, and that doesn’t matter at all, because Genesis 18 puts all human creatureliness into a box and God says, ‘I have something larger in mind for us.’

Once fertility is gone, we can’t do anything about it. But God arrives outside Sarah’s tent to say that the Creator of New Life is here to make promises and deliver on them- to make new life with humanity by means that transcend biology. This miracle is made to look like a fluke pregnancy long after menopause, but God might as well have put Sarah to sleep and taken a rib from which to make Isaac- its pretty much the same thing. What God is prepared to make us partners in with Godself is integrated with our biology, with our enfleshed natures, but already transcendent to it. Flesh and Spirit giving birth simultaneously, synergistically.

And as the Three Visitors meld into One, and makes to continue on God’s Way to Sodom, the same dynamic is offered to Abraham- God’s putative co-creator partner. Here in Genesis, well before there is any notion of the final judgement and the hereafter, of any sense of our existence (or lack of it) after our death, there is the frank recognition that the life of human beings is limited. Through the genealogies there is the clear admission that we are born, we live and (possibly) reproduce, and then we die. But God is not speaking in Gen 18 about this natural order of things; rather, there is a moral situation to be evaluated. There are non-biological criteria for life. And these are not mysterious laws operating in an unseen realm beyond our ken. They could be, but God says they won’t be hidden from us. He draws Abraham within this veil. God is going to apply different criteria to the question of when the bounds of our mortal lives are reached, and what is more, God is sharing agency with us. We didn’t know this: God says He is going to tell Abraham what He is up to, and then, without being asked, Abraham initiates- he responds- the relationship becomes reflexive; consciously, deliberately, agentially. Of course, when I say without being asked, I take it that you understand that God is offering this possibility. Co-creation is not hubris or heresy, purely because it is God who is advancing this hypothesis. Is it possible for My human creatures to partner with Me in creating the future? I hope so- let’s find out! (Else freedom is a deceptive ideal shrouding the Hobbesian reality- life ‘nasty, brutish and short.’)

Which is what bears fruit in this passage: the very lives of men and women are being negotiated between man and Divinity in Gen 18. And the terms of that negotiation are not simply the creaturely ones of our biological nature, but a wholly different set of considerations. The point of Isaac’s birth is because God’s transcendent purposes won’t be fulfilled through Ishmael, though Abraham would have settled for that. God’s Promise, and therefore the child through whom it comes, is particular and personal, (as Creation is in toto). And Abraham applies the same reasoning to the population of Sodom. Sure, some of them may well deserve punishment, but they are not mere creatures, like a warren of rabbits, to be exterminated by an irate landowner for despoiling the land and his crops. Each one matters, and in the claimed justice of God, that matters for ever. So Abraham argues the case with his God. And so might we.

In sum therefore, Gen 18 sets out principles for our relationship with God that breaks what we would otherwise consider the given natural boundaries of life. We are invited into co-creatorship, in which faith in our God who meets with us and walks in our way is crucial. This dynamic opens new possibilities for the start of things that are not yet, making them now, and creates new possibilities for life that challenges the apparently given finality of our mortal existence. The now of death becomes not yet.

The one necessity is for humility- this is fixed. In no way am I claiming that the co-creator relationship-dynamic is equal. I note that Abraham bargains with God- How low will you go? he asks. But he does not get down to just one life. I am sure we notice this, and the scripture leaves this possibility reserved for another day: for Gen 22, the Akedah; and for Calvary.

Hard Facts for Hard Times: Greening with Unions.

Guest speech invited by the NEU for their Strike Rally at Jubilee Square Maidstone on 27th May 2023, on behalf of Maidstone Green Party.
NEU strike rally at Jubilee Square 27th April 2023

Good morning, and thank you for inviting me today.  I’m Stephen Thompson, from Maidstone Green Party, and candidate for Detling and Thurnham Ward to Maidstone Borough Council in next week’s local elections. 

I’d now like to introduce my classroom persona…

Good morning Children! Are you ready for your lessons? 

We are learning from our local author, Medway boy made good Mr Charles Dickens.

Open your text at chapter 1 of Hard Times.

CHAPTER I    THE ONE THING NEEDFUL

‘Now, what I want is, Facts.  Teach these boys and girls nothing but Facts.  Facts alone are wanted in life.  Plant nothing else, and root out everything else.  You can only form the minds of reasoning animals upon Facts: nothing else will ever be of any service to them.  This is the principle on which I bring up my own children, and this is the principle on which I bring up these children.  Stick to Facts, sir!’

Being enthusiasts for flipped learning, you will know that Chapter Two continues…

CHAPTER II   MURDERING THE INNOCENTS

Thomas Gradgrind, sir.  A man of realities.  A man of facts and calculations.  A man who proceeds upon the principle that two and two are… [four!], and nothing over, and who is not to be talked into allowing for anything over. 

I shall put my mortarboard down now.

Speaking on behalf of Maidstone Green Party. Video still Meg Shepherd-Foster

Educators are crucial to developing our young people to adapt to new realities.  Greens are set on Education for a sustainable future, education for a flexible and creative workforce. 

Greens are committed to education for creative business.  We expect government to adapt to challenges and mitigate crises so that our communities pivot to sustainability.   We can’t talk about the future of education without facing the realities of the crises in climate, biodiversity, globalisation- pollution in our water and air, the cost of living – we are rapidly facing a polycrisis.  Dickensian Hard Times indeed.  This demands Education for holistic development of young people that is not target led or bound by statistics.  Education that is not minimally funded, as though it isn’t really the most important thing Govt should be doing.   The future hinges on sustainable funding of education, and maintenance of a sustainable workforce, retaining experienced teachers, developing those with experience, and retaining new entrants rather than driving burnout, so perhaps a third leave within three years.  The fact is that underpaying staff so they cannot afford to live near their schools and sustain family life of their own amounts to unfair terms and conditions.  We demand an ethos in government that gives both adequate pay and professional respect to the whole workforce, so that pay rises are not funded by cuts from what schools need to support teaching and learning, and their rising energy and repair bills. Two plus two can only make… [four!], not five!

Our children have suffered so much over lockdown- mental health issues and socialisation have become so much more challenging. Some colleagues have not agreed to take industrial action for that reason, probably due to the very high bar set by Conservative legislation.  In any case, the NEU position is principled. Absolutely so.  None of the things I’ve outlined can happen if we keep losing teachers who can’t endure the regime or the financial limits set by the current government.  Schools can’t continue to afford repair bills, energy prices and fund pay increases if the Govt won’t specifically fund pay.  There are no meaningful savings left to be made- all teachers are teaching more hours, to larger classes, with less PPA and now we may be expected to spend longer on site.  Teachers understand that their role is a vocation.  We never signed up for the pay.  But the worker is worthy of their wages.  You are here today to deliver Facts to those holding on to the levers of power and decision.

Banner signing on behalf of Maidstone Greens.

It is good that schools have made best efforts to keep examination classes on track for their public exams- we all support that.  Your decision to return to further strikes should not be misunderstood as neglect of any of today’s students: industrial action and protest in the public square are clear ways to show the whole community that your stand is not simply for your own pay and conditions, but for the good of the education system as a whole- for without a sustainable workforce, there can be no sustainable education system.

The Green Party stands with all education professionals, with schools, with all our children, and supports your last-resort protest against the deliberate and calculated government refusal to a fully funded pay settlement. They are the authors of these Hard Times. This is not grubby self-interest. We support you all in making the case that your protest is in all these wider causes, so our community future might be truly sustainable.

Buildings in the Book: From Babel to the Body of Christ.

St Martin of Tours is the parish church in Detling, Kent. Author’s photograph. 8 1 23.

Our favourite internet encyclopaedia says that this fine building is the parish church you might find in the Kent village of Detling. However, this isn’t a church. This is a church building.  I know what you are thinking.  Some pedantry (irritating wordplay practised by people pointing out the precise and proper meanings of words which are commonly confused) is just annoying. Except for the pedant that is, who never tires of being pedantic. I plead guilty to all charges, Your Honour.

Sometimes the distinction is important, and this is one of those times. Maybe you know the children’s rhyme with hand actions that goes like this:

Here’s the church and there’s the steeple.
Open the door and see all the people.

And it continues like this:

Here’s the parson going upstairs.
And here he is now he’s saying his prayers.

which all comes from a traditional nursery rhyme which enthusiastic parents can sing to their little nippers at bedtime. Click that link for additional lyrics, with a restful rhythm and guitar accompaniment. At least, that’s their intention. You might argue about whether restful is the appropriate adjective. But that would be pedantic of you.

If you need reminding, here is a website to show you and your nearest child how to say and act out the rhyme. Despite what it says in this guide, you MUST wiggle your fingers at the end. Now don’t say I didn’t warn you: here are some very enthusiastic child actors giving a demonstration in a short video, with jaunty background music. As Jesus includes everyone in His Church, the American accents are included at no extra charge. I’m not sure they are doing the actions quite as in the official instructions- or is that me being pedantic again?!

Seriously though, the hand actions and rhyme at least make the point that the church and the people go together. Inextricably. No people- no church! As it says on this church billboard…

https://www.flickr.com/photos/inkdroid/52096973557/ CC BY 2.0

What’s the reason we’ve become confused about what the word church means? Is it traditionalism and religiosity? Is it a convenient distraction technique that appeals to humanists and atheists? Say that the church is the building, or the specific time that the service is held, and that takes the focus away from what Church really is. The Greek New Testament word is ecclesia, which literally means, ‘the called out ones who meet‘. The term was borrowed or co-opted from ancient politics. [Greek Ekklēsia, (“gathering of those summoned”), in ancient Greeceassembly of citizens in a city-state. Its roots lay in the Homeric agora, the meeting of the people.] So you see the emphasis is all on the people and not at all on the place or even the time at which they meet. When Jesus says, “I will build my Church” he isn’t ever expecting us to think we need to pop down to the builder’s merchants. The certainly don’t stock hell-proof bricks or roof tiles. The ‘Church’ Jesus is talking about is of a more eternal order.

I appreciate the children’s rhyme because it is made by the singing and acting person, as they perform it. If you include the second line, then the person reciting it is brought to think about prayer- our actual connection with God. Though this isn’t quite right either, as we don’t need an official (parson, priest, vicar, pastor or whatever you want to call them) to act as a go-between for us; another misconception that warrants pedantic treatment. The Reformers spoke up for ‘the priesthood of all believers,’ and I believe in it.

For the 26th birthday of NASA’s Hubble Space Telescope, astronomers are highlighting a Hubble image of an enormous bubble being blown into space by a super-hot, massive star. The Hubble image of the Bubble Nebula, or NGC 7635, was chosen to mark the 26th anniversary of the launch of Hubble into Earth orbit by the STS-31 space shuttle crew on April 24, 1990 NASA photo: public domain. This nebulous material is the same stuff that our planet and our very selves are actually made from. So how, we should ask, is it possible for us to have meaningful encounter with God who is Spirit if we ourselves are composed of physical stuff? How might spirit and stuff come into contact with each other?

Now I expect you are ahead of me here. In the UK it rains from time to time, so it’s a good idea to have a building with a roof and even some heating to make the meetings of the ecclesia a bit more comfortable. It seems that a public address system and sound desk are absolute necessities to ‘do church’ these days, and neither of those like getting wet, nor do we want them stolen. In Kenya, my Christian friends put up roofs to keep the sun out– as well as to look after the sound system. So we need church buildings, though perhaps they could be more flexibly designed to accomplish daily community functions as well as spiritual ones. The profound truth is clear: we are fleshly creatures living in a physical universe, and it is perfectly reasonable that once a church fellowship community has grown too numerous to meet in people’s domestic dwellings that we plan larger structures to make life more practicable, whether we need to keep out rain or sun, or keep in the heat and the music system, fold back speakers, TV monitors and live streaming video system. And the hymn books.

But there I go again, and some readers might want to get pedantic with me.

There is a great risk, isn’t there, that as soon as we start building, we might start building an empire. This is what happens in Genesis 11:1-9. Pick up bricks and people start expressing their worldviews. This is certainly what is going on in this account, whether we want to read these verses figuratively or as literal history. Who is in charge in this world? You or me? Us or God? We want to make a name for ourselves, they said, so they built a tower up to heaven to make sure that He knew that.

The Phillip Medhurst Picture Torah 74. Tower of Babel. Genesis cap 11 vv 1, 9. Jode.jpg Public domain.

11 Now the whole earth had one language and the same words. And as people migrated from the east, they found a plain in the land of Shinar and settled there. And they said to one another, “Come, let us make bricks, and burn them thoroughly.” And they had brick for stone, and bitumen for mortar. Then they said, “Come, let us build ourselves a city and a tower with its top in the heavens, and let us make a name for ourselves, lest we be dispersed over the face of the whole earth.” And the Lord came down to see the city and the tower, which the children of man had built. And the Lord said, “Behold, they are one people, and they have all one language, and this is only the beginning of what they will do. And nothing that they propose to do will now be impossible for them. Come, let us go down and there confuse their language, so that they may not understand one another’s speech.” So the Lord dispersed them from there over the face of all the earth, and they left off building the city. Therefore its name was called Babel, because there the Lord confused[a] the language of all the earth. And from there the Lord dispersed them over the face of all the earth.

Genesis 11:1-9 ESV

What I love about this story is that God actually takes note of the humans’ big-headed ideas. That really is quite funny. Why on earth should He? The answer is important. I’m sure you know how to make God laugh. Tell Him your plans, as the old gag puts it. Fortunately, God has a plan too, a much better one, and this does involve us, because God wants his eternal plan to include us. The various Babel-onians need not have worried. As I have explained before, though excluded from Eden, God is still paying attention to us. But on His terms, not ours. That’s what was wrong with their tower plan. We want to be in charge, to make the plan, to be the boss. As the picture above shows very dramatically, God turns up to sort out the situation. Or rather, he comes down. We can’t get up to God, but He can choose to come down to us, which is what Incarnation means. (That’s Christmas, if you need reminding. See the post before this one.)

The result is that the ones who all came together to meet and make their own Community were frustrated by God’s judgement. It’s God’s cosmos and God’s world and God’s future and God’s plan- not ours! But don’t get the hump now and pretend that our self-image and personhood and freedoms are inhibited by any of that. Don’t misrepresent God’s intention. Freedom is a real thing, with proper boundaries, because there must be boundaries. Like walls. Otherwise anything goes and that’s chaos.

I was thinking about the buildings that are mentioned in the Bible. There are no buildings at the start of Genesis. The meeting place of humans with God is God’s garden. There is no palace or temple. Maybe we come to realise that the cosmos is the temple-palace, and God desires to share it with us. We get all the way to Genesis 11 before there is mention of a proper building, though that is after the gopher wood boat that Noah makes to become a floating zoo. Does the early Genesis narrative mean to suggest to us that early people did not construct significant buildings? Not at all, if you want to ask that question. The technologies that the line of Cain are credited with are beyond that required to build dwellings or even palaces. But we are not being given a history of human civilisation as would be found in a good encyclopaedia. The Babel account we’ve just read is proof enough that our ancient history and civilisation, with its technologies, is taken as a given. Making (fired) bricks from clay, and harnessing the potential of tar to stick them together is a shorthand for all that. The towering pile of bricks isn’t the issue- its our collective towering hubris that is in focus.

Fast forward to the literal Creation Story of the Hebrew Bible: the Exodus of God’s Chosen People from Egypt. That’s the easy bit. Once God gets Moses and all the people out from under the godless rule of the stubborn Pharaoh of Egypt, its time to tackle the much harder task of getting Egypt out of the Israelites. Its what’s inside us that poses the real challenge, if we’re honest. We pick up deeply insidious ideas about life and meaning and what’s really valuable from those around us- all of culture and history and society and our habits- and its a job of considerable dimensions to sort that out. (Which is much of what Christian doctrine calls sin.)

At the start of the book of Exodus, the second book of the Hebrew Bible, the many descendants of the sons of Jacob, of Joseph and all his brothers, are now very much enslaved and oppressed by the Pharaoh king who wants a bigger palace for himself, and bigger temples for the Egyptian gods. Though divided into nations, the Babel-on project hasn’t died yet. The Israelite slaves are now making mud blocks by the truck load (sorry- cart load). Every day its B&Q and their overlords’ demands keep going up. (B&Q: Bricks and Quotas). And they’re singing, ‘There must be more than this…’

Quite so, but not the way we might expect. In short, when God gets them out into the desert, He gives instructions to build a meeting place for the priests to meet with God and bring the community together in God’s Peace (Shalom). This meeting place is mobile, as the community is often on the move. The Tent of Meeting, or Tabernacle, has just a few sacred items inside. In stark contrast to the pagan temples of the Egyptians and everyone else, there is no idol in the holiest place. There is no stone or other image of the god. You may know that the Exodus commandments specifically forbade God’s human creatures from making images or representations of the Deity. What there is is a box, the Ark of the Covenant, and what lives inside is Aaron’s old walking stick, a packed lunch and the second tablets of stone with God’s Ten Commandments written on them by Moses. On the lid are a pair of figures representing the worship of the Invisible and Awesome Holy God in a form that we can just about understand. These so-called cherubim represent heavenly beings that attend God, shown in obeisance, shielding the ark below them with outstretched and touching wings. In this sculptural form the idea of stuff and Spirit coming ever-so-briefly into contact with each other is denoted. Thus, in the dramatic picture-model of the Tabernacle, God comes to be with us in a manner the wandering Israelites could relate to, and we too can now grasp.

When we make things they speak of our worldview, in some measure, and the construction by Bezalel and Oholiab of the Ark, to the given instructions, does just that. God is Present with God’s People. The Word of God has come from the unseen realm to the people under Moses’ care. The dead stick has come to life. The memorial meal of manna recalled the season through which God fed His chosen people directly by supernatural means. All is covered in the most valuable gold (recycled from the terrified Egyptians, Ex 12:36) and symbolically attended by God’s heavenly retinue. But what the ark is really only makes sense as the point of meeting between God and God’s people, between heaven and earth, and it is a real Encounter. God really did turn up, or Presence Himself.

Now I keep having to say that the only humans in this Divine-Human partnership were the Israelites, as only they were the covenant people of YHWH. But that did not mean that God’s Presence could not be tangible to anyone else. The Presence I keep referring to was not a piece of myth or spiritual mumbo jumbo, having its only existence in the suggestible minds of gullible Jews. We see the proof of this in 1 Samuel 5, when the Philistines (Israel’s war-hungry next door neighbours) captured the very Ark of God and took it back to the temple of their own god, Dagon. The best way to brag about your victorious triumph over your enemy would be to put their idol next to the image of your own god in your home temple. ‘Our god is bigger and better than yours’, ‘In your face!’ and all that stuff. Which is what happens:

Dagon fallen down before the ark. 1873 The story of the Bible from Genesis to Revelation

Despite allowing the ark to be captured and taken to Ashod, the capital of the Philistine nation, God has no truck with their blasphemy. During the night, as the ark is left in the empty building before the image of their own god- which is actually a no-thing, I might say, whereas God’s Presence is Living and Active- the idol statue of Dagon fell down in front of the Lord’s ark. With impressive attention to our modern scientific sensibilities, the text records that the curious priests of Dagon set up the whole investigation again, only to discover that the first result was not an anomaly but thoroughly repeatable! The artist above gets the scene just right. The pretence of the priests of Dagon has been exposed, and now they find that they are themselves very close to the Presence of the True God of the cosmos. This is God’s true plan; not the showdown between true and false gods, as much as the realisation amongst all God’s human creatures that the covenant God of Israel is introducing Himself to us all, inviting us all to Encounter. These are His terms and conditions and are much more in our favour than we might appreciate. The true temples are not just buildings for God; rather, it is where God comes to be in permanent Presence with God’s peoples. There is no need for statues or idols if there is vital encounter and living relationship between Creator and creature. His Spirit is manifest and His people meet Him!

A very similar scene is depicted in the image below. The artist had produced a more complete picture- we can see the roof pillars in fully finished detail, while the ark is lined up properly on the previously empty plinth behind, though now in shadow, rather than the light- and as a result this picture loses much of the thrust that the former one has for me. Perhaps you agree. The core message is the same. The priests of Dagon, and all the Philistines, are together challenged to re-evaluate their worldview, for God has come down to see their affairs and has judged their idol god. Now they must decide what to do next. Tragically, they do not reach out to the True God who has so far been merciful to them, and are afflicted with diseases for their stubbornness.

Statue of Dagon (god of the Philistines) fallen down before the Ark of the Covenant. Line engraving, 19th century

When the Philistines captured the ark of God, they brought it from Ebenezer to Ashdod. Then the Philistines took the ark of God and brought it into the house of Dagon and set it up beside Dagon. And when the people of Ashdod rose early the next day, behold, Dagon had fallen face downward on the ground before the ark of the Lord. So they took Dagon and put him back in his place. But when they rose early on the next morning, behold, Dagon had fallen face downward on the ground before the ark of the Lord, and the head of Dagon and both his hands were lying cut off on the threshold. Only the trunk of Dagon was left to him. This is why the priests of Dagon and all who enter the house of Dagon do not tread on the threshold of Dagon in Ashdod to this day.

The hand of the Lord was heavy against the people of Ashdod, and he terrified and afflicted them with tumours, both Ashdod and its territory. And when the men of Ashdod saw how things were, they said, “The ark of the God of Israel must not remain with us, for his hand is hard against us and against Dagon our god.” So they sent and gathered together all the lords of the Philistines and said, “What shall we do with the ark of the God of Israel?” They answered, “Let the ark of the God of Israel be brought around to Gath.” So they brought the ark of the God of Israel there. But after they had brought it around, the hand of the Lord was against the city, causing a very great panic, and he afflicted the men of the city, both young and old, so that tumours broke out on them. 10 So they sent the ark of God to Ekron. But as soon as the ark of God came to Ekron, the people of Ekron cried out, “They have brought around to us the ark of the God of Israel to kill us and our people.” 11 They sent therefore and gathered together all the lords of the Philistines and said, “Send away the ark of the God of Israel, and let it return to its own place, that it may not kill us and our people.” For there was a deathly panic throughout the whole city. The hand of God was very heavy there. 12 The men who did not die were struck with tumours, and the cry of the city went up to heaven.

1Samuel 5: 1-12 ESV

David is king in Saul’s place by the end of the first book of Samuel, and he begins a process of planning a permanent temple for YHWH God’s Presence in Jerusalem, which is carried out by his son Solomon. God didn’t really want a temple to be built for Him, but God allows his people to twist His arm and so He reluctantly issues some instructions. It seems we are allowed significant lee-way in deciding how Revelation will come to us from Godself. But then that temple was destroyed through invasions and the exile to Babylon, and then later rebuilt after their return to the same pattern, more or less. This photo shows a modern model built for the enjoyment of tourists to Jerusalem:

The Second Temple, as rebuilt by Herod c. 20–10 BCE (modern model, 1:50 scale) https://en.wikipedia.org/wiki/Yahweh#/media/File:Jerus-n4i.jpg

Now an ark was placed in the Most Holy Place of the main structure shown above, (and see below, in the cutaway diagram), with some other ritual items in the Holy Place, but the thing that surprised the Romans who were occupying Palestine was that there was no idol inside the temple. Roman emperor Caligula had declared himself a god and tried to force the Jews to accept his statue inside their temple. They vigorously objected- and then Caligula was assassinated! Once again the Presence of God was at work. After the sack of Jerusalem, Pompey went up the Temple mount and entered the Most Holy Place.  After looking around, he left and allowed the rituals to continue temporarily, and he survived that experience*. This is consistent with what we saw in 1 Samuel 5. God is not so precious about His sacred spaces after all, because what God really intends is that we reach out to Him and find Him. He wants us to find Him and to be found by Him. Denying that truth is the real blasphemy.

Where is all this leading us? The Hebrew Bible does not set out to offer us lessons in regard to building construction or architecture, though we are supplied with numerous details about the Tabernacle and Solomonic temple. Ultimately, these are incidental to the core message. What we learn from the Tower of Babel account is how God intervenes to correct our misguided human attempts to take charge of our own destiny. It may be that we conclude that God frustrates such intentions, but this is a judgement of grace and hope, to restore us to relationship with Him and to open a way of return. The later construction of the Temple puts stones, timbers and ornamentation around the Tabernacle model of priestly encounter between God and High Priest. It is not so much that God is vigorous in forbidding our crude attempts to imagery and idolatry as that God keeps a clear space in our experience so that we can, if we are willing to humble ourselves, find an open way to come to fruitful and intimate relationship with God. Because the discovery of the New Testament is this: We are to be the receptacle for God’s Presence. There is no idol in the Tabernacle and Temples because God’s intention was always that WE are the true image of God, the image and likeness of God in God’s world, and this means that it is the people of God, the Body of Christ, that are the new temple for the Presence of God. Christian people are promised the Presence of the Spirit of Christ. This is the consummation of the prophetic pictures of tabernacle and temple. The Temple curtain was torn in two at the first Easter as God’s Presence moves from the single site of meeting between God and humankind (in Israel alone) at the Most Holy Place to the hearts of every single believer and disciple of Christ Jesus, across the whole of God’s world.

And so we come to the Church Age and this current iteration of buildings; our eclectic hodge-podge of constructions that need not be thought to be at the centre of spiritual significance. The fellowship I am principally committed to now meets in a repurposed school hall and associated catering spaces. While this last Sunday morning I was reading the lesson at the Parish church of St Martin of Tours in Detling village, on the northern borders of Maidstone, nestled under the scarp slope of the North Downs. The true locus of spiritual attention is not inside boxes made of new bricks or old stones, but in the people who meet in those boxes, or elsewhere in the temple of God’s good Earth and cosmos.

In the New Testament the people of God are described as ‘Living Stones’- which is the inspiration for the naming of these plants that are related to cacti. Can you tell the plants and stones apart? Only the Lithops are alive, living and growing and able to reproduce. The stones have no life in them. Which makes the better temple? But idealism must also allow for practicality. A building like the parish church in Detling has outlasted many generations of parishioners, some of whom have their memorials in the grassy surrounds of the building we see in the photographs. The investment in stones and roof tiles leaves a legacy for the community. https://commons.wikimedia.org/wiki/File:Lithops,_living_stones,_at_Nuthurst,_West_Sussex,_England_2.jpg

But my church fellowship has practical needs and vision for community impacts that in significant part require bespoke buildings. Just like many other non-denominational Christian fellowships, we have continued to grapple with these twin priorities and struggle in the grace of God to keep them in constructive tension. What do we want to live inside the box of the buildings we inhabit? We are convicted that there should be no ultimate division between our worship and our work– our meeting together as a worshipping community, and our service and love expressed in the Community. After at least a two-decade season of searching and wondering, we finally came to the realisation that a site in the middle of an industrial park adjoining the side of town that is both most deprived and also developing with new build properties was most fitting for this vision. God spoke for this, we believe, through the generous donations of sponsors, so we could buy a large empty property in the trading estate, and now find that the modified local planning regulations allow us to knock it down and make exactly the kind of bespoke provision that will make community action projects, business activities and sabbath celebrations all the more feasible. The experience of knocking down helps us to grasp our temporality. The huge budget helps us remain dependent on God. When its all up and running we will have to remember these lessons. And in the meantime, we are blessed by a local fellowship who are sharing their facilities with us as we patient in our sojourning, saving up and serving God’s purposes as saints of God partnering with Him, heeding His call to be filled with His Spirit. As we try to balance the call to be free of the burdens of property and stuff in general, ready to Go! as He directs, and yet also to embrace the communities to which we are called, sowing our riches into their redemption and thriving, we conclude that this is how God’s Presence desires to be met, in His People, and so with His World.

May God continue to come down on this project to make His Name great, as He fills His Servants with His Living Spirit.

Jubilee ‘church’: the building site in 2022! Author’s photographs.

© 2023 Stephen Thompson

Notes.

  • * You might remind me that there is a crucial fact that is pertinent to Pompey’s survival after his blasphemous visit inside the temple- that being that at the resurrection of Christ, the Temple curtain was torn in two, and this is understood to show that God’s particular Presence left the temple.  Thereafter, though the Jewish priests would not admit it, the Most Holy Place was no longer any more special or particular for the meeting of the representatives of Israel and the God of the cosmos, YHWH of the Jews.  God was no longer particularly present there, compared with anywhere else on earth: His Presence was now, if it is to be found anywhere in particular, in and with His people whom His Spirit would fill and empower.  So God was not present in the way that had earlier been the case when Pompey arrogantly barged in.  I do wonder if the Jews themselves could tell the difference.  I’ve never heard if there was any account regarding the claim of the gospels that the Temple curtain was torn. Presumably a quick repair job was initiated and quite understandably, never mentioned.
  • Peter Bruegel made three images of the Tower of Babel, as you can see and read here: https://en.wikipedia.org/wiki/The_Tower_of_Babel_(Bruegel) Bruegel’s paintings both encapsulate the attitude of hubris in our grandiose schemes.

Divine identity in words, music and pictures: Forty years of singing to ‘The Lamb’

The third of William Blake’s ‘Songs of Innocence’, titled ‘The Lamb,’ as originally written, illustrated and printed by Blake. Only some 30 copies are thought to have been sold during Blake’s lifetime.

Some have described John Tavener’s ‘The Lamb’ as the perfect Christmas song. It is now the fortieth anniversary of this piece, first broadcast from Kings College Cambridge for Christmas in 1982, just months after he freshly wrote the most beautiful music for William Blake’s poem. (This is the 2014 recording.) The poem itself was written, and painted, in 1789, only just over 200 years previously. William Blake was popularly described as ‘mad’ by his contemporaries and even more recent commentators- a most unwarranted insult- though I have to say I do find his out-of-proportion distorted-limbed figures to be rather disturbing. Kinder critical appreciation now hails Blake as one of the foremost artists that Britain has ever produced. William Blake was voted 38th in the Top 100 Britons public poll in 2002, which reflects a level of appreciation far beyond that which he enjoyed in his lifetime. We Brits love a flawed romantic, and Blake was certainly that. It is said that he sent his last coin for a new pencil in order to sketch his beloved wife as she attended him at his deathbed.

Blake’s alleged ‘madness’ was really no medical or mental health matter. Rather, it seems he had a particularly keen eye for discerning the difference between good and bad religion, which is a sure fire way upset both authorities and traditionalists. Blake’s ‘Songs of Innocence’ were amongst his earliest artistic works as an adult, and his coming of age was sandwiched between what had we now call the American Revolution and what was about to become the French Revolution. So it was generally not a good idea to be seen to be upsetting the apple cart, whether in terms of spirituality, politics or civil rights. Blake was into all three. Sad as it was, we should not be surprised that he was so abused. As history often bears out, being in a minority, even a minority of one, doesn’t preclude being judged right in the long run.

Here is the third of Blake’s Songs of Innocence, in which his discerning faculties are profoundly in evidence:

The text for Blake’s 1789 The Lamb. Note the use of the ampersand symbol, copying Blake’s own graphic depiction of his composition.

Should we consider it surprising that Blake’s elegant poem had not been set to music before John Tavener adopted it as his lyric? In my view, it certainly qualifies as a hymn; far less luminous lines have been canonised in the hymnal. Perhaps it is the ambiguity of the first stanza that put off would-be song writers. The address is firstly to a farmyard sheep, made by a small boy who is asking undisguised philosophical questions, as small boys and girls are wont to do. Only in the resolution do we reach a point of more comfortable theological meditation. And that is why I love this text. Blake is engaging with the biggest of Big Questions, and when we dare to tackle such matters, we must cross boundaries and categories, thus blurring our pretence to objectivity. The youthful Blake is surely the child of whom his text speaks, and the undulled insight of the child is surely the basis of its power. True religion must be grounded in the personal appropriation of what God freely offers to us all. This is what upsets state religion, traditionalism and the overly intellectual approach that speaks only in abstractions and generalities. When the faceless civic leaders, bureaucrats and technocrats inevitably accuse us of taking our religion too seriously, the Nazarene Himself responds to each one with this question: “But who do you say I am?”

Which is what Blake’s child is doing in ‘The Lamb.’

Blake’s poem is a Sunday School lesson into the mystery of the Incarnation. And he achieves so much in 113 words! While avoiding explicit mention of the grown up terms – the Divinity and humanity of Christ, hypostatic union, and so on – Blake also includes the mystery of humanity compared with the animal nature of the young sheep. Here is a guided meditation for children on the whole Creation and its ultimate purpose. How are animals made? This is the first question. From the stuff of the world- the light and water and air of the fields and valleys in which life has its being. The boy is quite like the sheep in this respect, emphasised in Blake’s own illustration by his nakedness. He also has the advantage of enjoying the blessing of clothing and meat that sustains his mortal life as a human person. We accept that the boy knows that he is the offspring of his parents, and he knows too that the life cycle of the flock is maintained by the care and attention of the shepherds.

As the second verse begins, we see through Blake’s eyes that the young farmhand knows more than this. Not only can he deconstruct the ecological network of which man, animal, plant and land are constituted, he can discover behind all this what the grass-chewing creature is insensible to. How were we both made? he next asks. In the poem, the question is put directly to the sheep by the boy, because the boy already knows. He doesn’t need to ask himself. Yet he knows, I think, that his knowledge is incomplete, which is why he is talking to a sheep, that can only bleat; as the poem has it, with ‘a tender voice.’

The boy shares his profound enlightenment with us, as he attempts to instruct the little lamb which cannot appreciate the tender sounds he speaks. I read that sheep are not so stupid, and like dogs can recognise their given names, but there is a chasm from there to the scriptural use of ‘Lamb’ as metaphorical imagery for the person of Christ. Now here is the rich genius of Blake’s insight. Having set up the questions in the first stanza, Blake now plays with the identities of child and creature, Christ and Lamb, moving us back and forth between their various combinations. The boy is indeed like the little sheep, and yet utterly different. The Christ-child is first known as a baby, which the little boy himself was so recently. Yet the One the gospels call Christ is fearsomely different to us all. And at once, we need not be afraid, as the lamb is not afraid of the gentle boy, for baby Jesus is meek and mild, Blake here quoting Charles Wesley’s 1742 hymn. This is how William Blake paints the Incarnation- words to page and paint to paper. Most engagingly, that the Divine Christ makes Godself like a lamb! Blake makes us consider deeply the meaning in the metaphor: the Lamb of God, that oft quoted religious language of the lectern reading, means that God in Christ made himself like a bleating sheep, that more-or-less unquestioningly follows the simple shepherd from one field and pasture to another, before being offered up for shearing and, finally, slaughter.

Then the order is reversed: I a child & thou a lamb.

The interchange is broken to recall that difference is as determinative of meaning as similarity. Life is different to non-life. Humanity is different to creatureliness. Divinity is different from humanity. And here is the Claim: God in Christ Jesus, the Christ Child of Christmas bridges the Great gulf between the immaterial, which God must be, and the material, which is where our senses place us. What could a mere munching sheep have to do with a boyish man, or any human person, with the Transcendent God?

We are called by his name.

In this line, Blake brings all three to unity. In the Creation Purpose of God, and in the particular metaphor of the Lamb of God, we find the confluence of God’s grace in creation, as matter and creature and man and God’s own Self come together, and so the boundaries between what was properly separated are meaningfully blurred. So Light dawns upon all of God’s creation, and the face of God comes into perfect focus, and we are Blessed.

So much of the beauty of this composition in word and picture is captured by John Tavener’s spine-tingling music. He sets the poem’s questioning introduction in a simple and childhood-evoking G major, before disquieting us with a dissonant chord of A minor with an added ninth note. In the repetitions (just like the themes of the poem) the melodic lines are inverted and/or reversed, as you can see in this guide. The dissonances and inversions resolve into the E aeolian of the four part chorale, the four voices mirroring the various ingredients of the poetic mediation. As if all that creativity is not enough, Tavener recounts that he wrote this piece in just a quarter of an hour and dedicated it as a gift for his nephew’s third birthday, further evoking the innocent little boy of Blake’s poem.

A perfect carol for Christmas? I think so.

I relish the wide variety of music that is featured in the annual services of carols from Kings. The surprise is always part of the fun! But the readings are a constant, and the centrepiece for me is the first chapter of John’s gospel, introduced on this wise: “St John unfolds the great mystery of the incarnation.” There is so much to savour in that passage, itself a reflection on the Creation of Genesis 1 that the first Christians appropriated and integrated into their understanding of Who the had seen Jesus to be. Following his prologue, St. John collates and coordinates the multifaceted account of Jesus the Messiah as the Incarnation of God, beginning not with the nativity but with the crying out of John the Baptiser in the wilderness. ‘Prepare yourselves for Him, whose sandals I am not worthy to untie!’ The one announced as the coming Lord is at conclusion seen by St John as the One who speaks from the cross, gently charging him with the personal care of his mother, Mary, who had given birth to the son of God now giving His life before them both. The Great God of all things, Present and intimate with His people. In between are so many encounters, each recounted in the gospels to give us an authentic and reliable picture of Jesus the Messiah in which we might also encounter Him. It is in the juxtaposition of the multitude of testimonies that we come to behold His Fulness.

I don’t know how many people could read and write in Ghent, Belgium, in 1432, but we can safely assume not too many. Before printing, even those who could do both would have had limited access to books of any kind, and that included the Latin Bible. The people heard this read aloud in services, and doubtless remembered much of these excerpts. Church buildings across Europe before the Reformation were typically covered with educative paintings, as I have featured previously in this blog. In addition, further artworks adorned the altars of the grand churches, such as this polyptych altarpiece in St Bavo’s Cathedral. The ‘Ghent Altarpiece’ was commissioned from the brothers Hubert and Jan van Eyck, taking them 12 years to complete. Experts consider it (or them as there are 24 scenes!) “the first major oil painting,” perhaps therefore marking the transition from Middle Age to Renaissance art.

The Ghent altarpiece, in its closed position.

Such altarpieces were explanatory visual texts to the liturgy, a handy summary of the gospel message and a guide to the viewers’ place in the world, at least in the religious formulation of those who commissioned the works, and of the artists who catered to their tastes. If, indeed, you could not read, then the closed altarpiece at St Bavo’s gives a vital three-level summary of the theological cosmos; heavenly creatures, saints and glorified prophets at the top, earthly authorities, including the local lord and lady (Joost Vijdt and his wife Lysbette Borluut) who gave the commission at the bottom, and the meeting of heaven and earth in between the two levels. In the annunciation, the now permanently visible Angel Gabriel greets the ever-submissive and pietistic Virgin with the covenant invitation from heaven, which she accepts, and we see the hovering Spirit-dove of the Holy Ghost overshadowing Mary, imparting the Divine Seed. So the Incarnation is depicted at the centre of the cosmos, the centre of history and at the centre of daily life in this place. Of all the images on the altarpiece, the four which form the panorama of the Annunciation are the set which give, in the background to the figures of the archangel and the young woman, the most realistic setting. This could be a well-to-do house in Ghent. And in such a setting comes the Word of the Lord, and the Spirit’s impartation.

The Ghent altarpiece, in the open position. This was medieval wide screen cinema, 3.4 m (11.1 ft) high and 5.2 m (17 ft) wide!

Perhaps at times other than during services, the altarpiece was opened in both directions to reveal a double row of images. They cut across time and the dimensions of reality, and all are more stylised than the annunciation. In the centre at the top we have a timeless vision of a heavenly state in which the figures of Mary and John the Baptist, key persons in the introduction to the nativity and Gospel, are flanking the Divine Person, vindicated in their faith in God. Is the central image of God the Father or of God the Son? The experts cannot agree, calling this enthroned figure ‘The Almighty God’ to hide their lack of discernment. As the figuration of YHWH God from the Old Testament transforms into that of the Trinity in the New Testament, our understanding of the revealed Person of God is progressively modified, and as I have already intimated, our ability to grasp the implications of the Incarnation is limited. Which is why the introduction to the reading of the gospel of John at Christmas speaks of mystery. All the Members of the Trinity are worshipped and adored, says the Creed, and this is emphasised in the upper row by the worshipping angels shown to the left and right of the Deity, Mary and John the Baptiser. Our current uncertainty about the seated Divinity can be taken to reflect the theological ambiguity of the Incarnation. I and my Father are One (John 10:30) said Jesus, so we are supposed to consider them in the same imaginative breath. The triptych of God, the ‘mother of God’ and the ‘greatest prophet’ could be a pointer to the divinisation of humanity and the creation of the single Body of Christ, but I may be reading too much into this. At the sides are the naked figures of Adam and Eve, concealing themselves in shame (in contrast to the young boy in Blake’s illustrated text). These two are the base reason that the Incarnation is necessary, and they as the disobedient couple are contrasted with the obedient Mary and John the Baptist that are now comfortably seated at the right and left of God our Redeemer.

Below this nexus of scenes from the past and the present – or should that be the timeless now-but-not-yet present?- is an extended scene across five panels. The Adoration of the Mystic Lamb is displayed, and several groups of persons are depicted around about the central altar. The scene is somewhat like the final judgement, in a hereafter time, placed in an idealised landscape, rather than a Church or realistic setting. The vision of the Lamb from the book of Revelation is brought forward to the present; or we are transported there, while we gaze at the picture. There are clergy and soldiers, pagans and sinners and the pietistic worshippers- unfortunately separated by gender- visible angels and the hovering Spirit all gathered around. Behold the Lamb of God! This image combines the viewers’ current experience of the Eucharist, in which the bread and wine are lifted up to their gaze; and at the same time, we are drawn forward in time to the final revelation of the Lamb of God at the end of all things, where we will be gathered by God in judgement in the light of the Salvation Work of Christ the Lamb.

Detail of pre-restoration Adoration of the Mystic Lamb. https://commons.wikimedia.org/wiki/File:Ghent_Altarpiece_D_-_Adoration_of_the_Lamb_2.jpg

In this complex altarpiece we are engaged by a sophisticated theological construction. The many images function together to evoke a larger whole. A multifaceted picturing of spiritual realities is presented to us, from different times and spaces, dimensions and though various modes of depiction. As our gaze shifts from one to another, and we allow our meditation to be stimulated, the various combinations synergise to enlighten the eyes of our hearts. The painting itself reaches out to us, for example, in the way that the prophet Micah (top right on the front of the closed panels) places his hand on the picture frame, blurring this boundary between him and us. We and they may really be connected, if we have faith for this. The paintings work rather as the successive lines in Blake’s poem, drawing us back and forth as we struggle in faith with the God whose blessing we desire, as did Jacob with God’s angel. There is even a possibility that there was a music box and automated opening mechanism attached to the side panels at some period, adding further engagement to the experience.

Right in the centre, and right above the physical altar in the cathedral where the altarpiece has remained installed, is the figure of the Lamb of God. Here the brothers have left the most extraordinary insight. The shorthand is that Jan van Eyck was the painter, while Hubert his brother planned the overall scheme, but we cannot know who contributed what. So here is another mysterious pairing of characters that resonates with a theme in this study. Now the close up view below is what the modern viewer will see today, as a great deal of effort has been put into the recent restoration of the whole altarpiece, and of this panel in particular. You will be disturbed by this, because we are not now looking at the face of a regular sheep.

The painted figure of the Lamb, restored to Jan Van Eyck’s original intention.

We now know that sometime after its original composition, the decision was made to ‘correct’ the work of the van Eycks. What should look like a lamb needs to look like a lamb. So they got in new artists and painted over the head to make it look like a proper sheep. You can see this in the images below.

Ghent Altarpiece. Detail of head of ‘Lamb’ before (L) and after (R) restoration.

Here on the left is the sheep’s head after exploratory cleaning in the 1950s; now there are four ears! But the eyes are still where they should be for a sheep- on the side of its head, as is proper for a herbivorous animal that is prey to a wolf or other predator. Using X rays and the like it has become possible to discover exactly what oil paint was originally applied in the fifteenth century and what was put on afterwards.

The ‘improved’ painting was disturbing enough, with the gushing spout of blood pouring forth into the eucharistic chalice. But as disturbing as the sight of the original face of the Lamb as Jan van Eyck left it? Instead of William Blake’s question, Dost thou know who made thee? we have a different question: Do you know what and Who I Am? It is a fearful thing to fall into the hands of the Living God (says Heb 10:31) and there is a good dose of holy fear portrayed in this image.

Were the ‘improvers’ right? If the word of God says Lamb then we should have a lamb, shouldn’t we? This question gets to the core of what the revelation of Scripture is all about. How can simple human words (yes, even the clever ones like incarnation and hypostasis) actually convey the Nature of God to human creatures with any accuracy? The best that we can hope for is through the use of analogy, metaphor and simile. Now similes are used in the Bible, but not often about God directly. Rev 1:14 gives three at once when describing Jesus’ appearance: “His head and hair were white like wool, as white a snow, and his eyes were like burning fire.” Metaphors are much more frequent: Psalm 18:2 The Lord is my rock, my fortress and my deliverer; my God is my rock, in whom I take refuge, my shield and the horn of my salvation, my stronghold. There is an encyclopaedia of metaphors for Jesus: The Light of the World, the Bread of Life, the Gate for the Sheep, The Shepherd of the Sheep, and, continuing the prophecy of Is 53:7, the Lamb of God. Such metaphors might be more or less distinguished from ‘titles’, ‘names’ and other descriptors.

Then there is analogy, for which a modern example is the three states of water standing for the Trinity. H2O is a liquid at room temperature, with certain properties somewhat in keeping with being in the liquid state. But lower the temperature below 0 degrees Celsius and those properties change dramatically. Yet it is the very same substance. Again, above the boiling point, the properties of the vapour are quite different. All the while the chemistry of the substance stays fixed. The same substance, with different behaviours. By analogy therefore: Same God, with one nature, yet a Trinity of different expressions. But steam and puddles and ice don’t generally co-exist in the same space, so the analogy breaks down.

There is much to dwell on here, and God’s intention is surely that we do meet with Him in the spiritual encounter that these literary devices make possible. That intention is mirrored on our side by the refining of the Creeds, where our forebears have concentrated as much accurate meaning into the confessions as humanly possible.

But we must admit that our metaphors are never going to be complete descriptions. How could human words sum up God?! If they could, we wouldn’t be talking about much of a ‘God.’ The Bible does have lots of metaphors for God, and especially for Jesus, because any one metaphor is apt in some respects but ultimately imprecise. We tend to push them too far, and commit the venal literary sin of mixing our metaphors when we try to compensate. The revelation of God enlightens us to deep truths that consign unbearable weight to the best words we have. The metaphor breaks.

We need not despair, because God is graceful and accommodates to us and to our language. God gave instruction to Moses about how to mend relationship with God. At the tabernacle lambs were brought for inspection and ritual slaughter. What had this to do with making propitiation to God for ‘the breakages we make in relationships’ otherwise known as sins? Quite clearly, absolutely nothing at all, except that God says it does. God decreed that the split blood of lambs (and bulls and pigeons) would be the acceptable price for spiritual redemption, and that decree was what made it so. John the Baptist declares, Behold the Lamb of God, who takes away the sin of the world right after the Christmas prologue reading at John 1:29 (and again at v36). So Jesus picks up where the laws and institutions of Exodus and Leviticus leave off, putting human flesh on the metaphor. Now this makes a lot more sense, as unlike the brute animal, this Lamb knows what the potential sacrifice is intended to atone for, has freedom to decide whether to make the exchange, and complete agency to commit the deed. Now we are comparing apples with apples, I might say… to use an analogy.

So Jesus said to them, “Truly, truly, I say to you, unless you eat the flesh of the Son of Man and drink his blood, you have no life in you.

John 6:53 ESV

I have explained that our language breaks down as it is not fully up to the task of carrying all the meaning we want to convey. God is happy to be complicit in this with us. Jesus as the Lamb picks up the theological baton from the Tabernacle and Temple and makes the sacrificial offering personal. As I said to begin with, this is necessary, and it upsets the apple cart. The original hearers of the John 6 dialogue would not have grasped the foreshadowing of the symbolism of the Eucharist, but this was understood by the time the gospel was being committed to paper. At the time, the crowds who heard these words left him. It’s too difficult, they said. We would go too, said the Twelve, but we’ve nowhere else to go. It was simply their decision to keep their side of the covenant commitment with Jesus that made the crucial difference. Yes, this was the only difference, which is exactly equivalent to God saying that the sacrificial system would suffice – at least temporarily. The metaphors must break; the words will lose their function to symbolise, to communicate, to signpost relational Encounter. It takes a strong Word to resist such breakages under load. This is a general difference between the Spirit-inspired Word of God and our creaturely words, but in terms of the inscripturated word, both are alike; it is in the Will of God to determine what covenant exchanges will be honoured, and this is one of them.

It is plain to me that the van Eycks realise the problem of metaphor collapse as they plan the painting of The Adoration of the Mystic Lamb. There is more literal signification in the visual depiction of the sheep than there is in the phrase ‘Lamb of God.’ When we read that, we know it is speaking of Christ, God in human form. The symbolism of the lamb and the identities of humanity and divinity sit together satisfactorily in the oral form. How to get over this deficiency of representation? Perhaps you don’t. One should heed the Exodus 20 commandments and stick to the Jewish habit of avoiding imagery of the divine. But van Eyck comes up with a different solution. He creates a visual chimera of the creature and the God-become-Man. Following John the Baptiser (who we saw on the front of the altarpiece, remember) we are now familiar with the gospel claim that Jesus actually is the Lamb of God whom God the Father will recognise as the once-for-all sacrifice for ALL the sin of the world. Jan van Eyck paints a sheep-saviour. The human-like eye position speaks not of the aggressive predator but of the spiritual and relational purpose. The anthropomorphised God is now melded with the impersonal (sub-human) animal sacrifice. The true identity of Christ spills out in the painting- and in his double eyeline we are confronted, challenged, and invited to encounter. And even perhaps to consummation.

My speculation is that if William Blake had travelled to St Bavo’s in Ghent, he would have been as shocked as the rest of us, but would have strongly approved. He had his own artistic reasons for drafting figures with oddly proportioned limbs, while van Eyck’s distortion of the face of the Lamb of God is an even bolder move to accomplish an aesthetic end that conveys profound meaning. John Tavener makes musically equivalent moves in The Lamb, including the dissonant chord of A minor with an added ninth, and in refusing to give any time signatures in the score. The words should guide the pulse, he says, not the other way around.

The words we humans use have sufficient impact and import for most occasions, and we might augment their meaning through setting them to music. We make and break our vows with our words, and God hears both. Through metaphors and the like we can create poetry that may draw heaven and earth together. God’s Logos words (the Greek terminology of John 1) can be spoken in our tongues- much aided through Bible translation- but are ultimately much more powerful, creating worlds at His command. God decrees that His Word will not return to Him void, or empty of meaning. (Is 55:11) The genesis words of God created poets and painters and all humanity. Most wondrously of all, the Living and Active Words of God create Salvation. (Heb 4:12)

Agnus Dei, c. 1635–1640 by Francisco de Zurbarán. 38 cm × 62 cm. Oil on canvas. Museo del Prado, Madrid. Predating the Ghent Altarpiece, this minimalist-realistic depiction of the Agnus Dei (Latin for Lamb of God) evokes the submitted sacrifice with great poignancy. In contrast to the work of the van Eyck brothers, only its title signals its connection to incarnational and salvation symbolism; the rest must be supplied by the viewing worshippers.

© 2022 Stephen Thompson

Notes and references for further study. The majority of direct sources are hyperlinked in the text but are not repeated in this list.

Ambassadors and Agents: Picturing the Imago Dei within the frame of history.

The saying that “a picture paints a thousand words” was reportedly first used by Frederick R. Barnard in Printer’s Ink in December, 1921. Reading companions of Common Or Garden Theologian will know that the use of imagery is a very significant part of my method, but this post is a level up from the regular deployment of apposite images to act as foil and complement to the words. My subject here is one of the most famous pieces of world art: Hans Holbein the Younger’s ‘The Ambassadors’, completed in 1533, which is something of a constant muse of mine. Here are a few introductory remarks to explain. Much more will follow in further articles- too large a serving to offer all at once! This is to whet your appetites, or maybe to introduce you to what I propose is a cultural landmark in the development of our civilisation, in which (not least) the relationship between science and religion should be appreciated to be of central importance. In short, I suggest that The Ambassadors is not so much a key painting as it is a Key Text.

The Ambassadors is a monumental painting, depicting its two key figures at something like half life size. The scale gives Holbein scope to load up detail which carries rich and complex meaning for its viewers, both at the time of its creation and subsequently for later viewers. I consider it a considerable gift that this artwork has survived to the present day. It speaks not only to its original era but also in a very lively manner to our current concerns. It is a worldview picture- a core concern of this blog.

The initial sense of intrigue I felt in viewing this painting was considerably stimulated by John North’s 2002 book, The Ambassadors’ Secret, where he evidences over 350 pages that there is a great deal of hidden meaning to be discovered within Holbein’s early Renaissance painting. One might have supposed that Jean de Dinteville (a French ambassador, on the left, the commissioner of the painting) and George de Sevre (a senior Roman Catholic priest, on the right) are set against a backdrop of exotic bric-a-brac to create a more engaging scene- merely a means for the painter to show off his skill and artistry. Well, Holbein’s consummate creativity in depicting the full range of light and texture in both representation of objects and personal portraiture is certainly on spectacular display here. It seems Holbein can do with a brush what we moderns might imagine could only be achieved with a camera. But this painting is much more than a quick visit to the photobooth by two well-to-do guys on a business trip to London.

Jean de Dinteville commissioned his painting from the travelling German-Swiss master from Augsburg to memorialise his meeting and mission undertaken at the Pope’s behest with the soon-to-be Bishop Georges de Selve. These two young Catholic leaders were brought together in London because what had once been one was in the process of being split asunder. I say ‘Catholic’, which would have been left unsaid as a category until the early 1500s, because Henry VIII was in the process of turning England into something not Catholic- what we now call ‘Protestant’. This little idea of Protestantism ( a Dangerous Idea, says Alister McGrath) itself started in Germany, exported after its creation by Martin Luther, and had now reached the fertile mind of Henry Tudor, who it seems had realised its potential for solving his marital infertility problems. He had no (male) heir! The appeal of German Protestantism to the English clerics was rather different. An opportunity to cut loose from the theological apron strings of the dysfunctional Papacy was not to be sneered at, while they had no particular interest in sanctioning royal divorce. Younger readers may struggle to appreciate what a big deal divorce was just a generation ago, or how difficult it could be to remarry afterwards. In 1936 Edward VIII abdicated in these circumstances, a turn of events that underlines that the significance of Christian marriage between any two individuals continued to have societal ramifications four long centuries after two divorces and two beheadings at the will of King Henry VIII. From such social schisms in the nations of Europe it was feared that cosmic disaster would follow. Such hyperbole is warranted: some 50 000 to 70 000 souls came to a premature end under the reign of Henry, but the history books8 typically only mention his six wives. Heaven and earth would be split apart, to the general detriment of Christian society, and especially to the political reach and power of the Pope. So Pope Clement VII dispatched Jean de Dinteville on several diplomatic missions in an attempt to maintain the influence of Rome, and it was during his year long stay in London that he was briefly joined by Georges de Selve. But to no avail. King Henry, with his new Protestant clerics, achieved his desired divorce from Katherine of Aragon and then his subsequent marriage to his mistress, Anne Boleyn. The mission that the young ambassador and bishop had been charged with ended in abject failure.

The commentary at the National Gallery for Holbein’s The Ambassadors. 2022

There need be no harm or shame in this failure for the ambassador and his priestly companion. The failures, if failures they were, were surely the responsibility of the most senior parties, and not to be laid at the feet of Jean and Georges. Sometimes men strive against great odds, and against the machinations of greater authorities, yet find their striving to be in vain. But valiant none the less, no doubt. The friendships forged in such furnace are to be treasured and celebrated- and why not in such a grand painting?

But this is not that painting. That element is certainly present, yet there is much more. The two storied furniture, grandly adorned with a fine tapestry, is crammed with contemporary objects that do not fit the category of kitsch ornament. The most advanced instruments for accurate navigation are distributed across the upper stage- that is, instruments for knowing where one is, and how to get to where the merchant or traveller desires with safety and efficiency. If painted today, the upper level would likely show night vision binoculars, satellite navigation with GPS locator, and a maritime radar apparatus. On the lower shelf we see a sampling of cultural objects- musical instruments in the main, representing the best of the creative affairs of the most cultured persons- and books of ecclesiastical music and liturgy. Perhaps these items would still perform that representative function today. What we are shown then is a summary of the cutting edge understanding of the nature of European culture and its place in the cosmos, in particular, in its creative grasp of the world in all its most significant aspects. This is a summary of early Renaissance Humanism in the context of the established Church.

But it is most emphatically NOT the Renaissance Humanism as is commonly spoken of today: that species of human endeavour that travels inexorably away from established authorities and Traditions, especially those of Church, whether Catholic or otherwise, from God or gods of whatever flavour or kinds. This picture, presumably according to criteria set in dialogue between de Dinteville and Hans Holbein, stands as a theological and spiritual signpost against that mode of hubristic humanism. There are two or three principal signs of this fact. Firstly, the intricately patterned floor is closely modelled on the mosaic decoration found on the floor of Westminster Abbey, or, if you prefer, at the Sistine Chapel in Rome. Perhaps that is exactly the point: the two are the equivalent because there is One Church, that God will not allow mere mortals to sully or divide. Secondly, there is a curious and mysterious detail in the upper left corner of the painting behind the French Ambassador. Just visible to the attentive viewer is a crucifix. Behind everything that is transitory in this sumptuous and accomplished image is the Great Statement of God in the Christian Messiah: Christ came in our flesh and died for sinners. There will come a final reckoning, we are reminded, that will not be diverted by the crafty manipulations of either princes or paupers. As the crucified Christ is glimpsed from behind the green curtain, we might remember the words of James the apostle to men who seek to go about their business through the ages:

13Come now, you who say, “Today or tomorrow we will go into such and such a town and spend a year there and trade and make a profit”— 14yet you do not know what tomorrow will bring. What is your life? For you are a mist that appears for a little time and then vanishes. 15Instead you ought to say, “If the Lord wills, we will live and do this or that.”

James 5:13-15 ESV

Thirdly, and most obviously, there is the memento mori at the bottom of the picture, hovering rather than resting on the patterned pavement. It was a commonplace of art to feature skulls and the like, constantly reminding all alike of their passing mortality. But this skull is another tour de force of Holbein’s art- an anamorphic image, presenting the viewer with a distorted perspective that forces you to adopt a very different viewpoint in order to see it in its proper proportion and form. My own photo above shows the view from bottom left, on the floor- this does not work!

Rather, you have to go to the right of the picture and look down from the level of Georges de Delve’s shoulder. It seems this was the position a viewer would enjoy when passing down the stair next to the picture in the Polisy home of de Dinteville’s family.

In these ways I see the painting presenting us with a considerable number of strong claims and messages. Foremost amongst these are the following: the two men’s relationship stands in value and significance for all time, despite the passing successes and failures of their personal lives and occupations, even in the causes of Popes and Kings. By contrast, over all our temporal concerns is the sovereign Will of God expressed once for all in the sacrificial offering of God’s Son Jesus Christ, who can now be known as Lord and will surely be seen as such at the End of all things. And between these poles of value, sanctioned by Godself, is the creative place of humanity that walks in humility and grace as God decrees. It is possible for us to perceive the truth that we are like grass, dust and to be consigned to ashes- and yet, in the very grace of God, we can live creative and constructive lives of value as members of the community of faith, in which our mortality is ennobled by the greater truth of the Incarnation. Christ came to be one of us. Christ died, as we do; and truly, He rose again. And so we too may come to share in the Hope that triumphs over human futility.

Hans Holbein painted other portraits featuring the instruments of navigation seen in The Ambassadors, while some are backdropped by decorated and ornate fabrics. However, The Ambassadors is unique amongst his work that survives to our day: the entire rear boundary of the painted scene is concealed by the almost moving drapery of embroidered green fabric, shimmering with its silky sheen. We cannot see what is behind- is it a wall, or is it merely a dividing screen? I suspect the latter, as the scale of the mosaic floor indicates a greater distance to its rear edge than allowed by the shelving. All we can say is that the symbolism of the crucifixion, and therefore the Eucharist, is the only certainty of what lies behind all that we can see. For the perceiving viewer, as for Jean de Dinteville and Bishop Georges de Selve, the Lord Christ, who died, and lives forevermore, is the key to everything and eternity.

I hope you have been stimulated to think for yourself by Holbein’s painting; indeed, I think that is exactly what is intended. It is an aesthetic statement but also a facilitating experience. What is mankind, that You consider him? How much is by the design of commissioner and by artist? I cannot be sure, but I think we should credit both with a great deal. The letter of Second Corinthians speaks of Christian people as ambassadors of Christ, presenting the appeal of God to humans in all places and ages, and this role is not one of mere announcement. There is the full dignity of active agency in this outworking of the image of God. God is making his appeal through us, says the apostle Paul, and a key part of that appeal is the rich and creative humanity that can be realised by those who deliver that appeal, whether by creative preaching, by life witness in the era in which each of us finds our birth and life, and even in the skilful stroke of pigment-laden brush upon canvas.

Therefore, we are ambassadors for Christ, God making his appeal through us. We implore you on behalf of Christ, be reconciled to God.  For our sake he made him to be sin who knew no sin, so that in him we might become the righteousness of God.

2 Cor 5:20 ESV

© 2022 Stephen Thompson, except where credited.

Notes and references:

On the vital necessity for a Christian worldview.

I hope that my readers will have noted that I have continually alluded to the need for a Christian worldview, and made brief comments about what that might consist in, and thus why it is important. Nevertheless, I have not so far addressed this topic head on, suspecting that it would be a major project. I responded to a need to pray with a friend today, and some thoughts about this emerged from our prayerful discussion about my involvement with Green campaigning which helped me to condense and crystallise this matter into a few words. I’ll use more here, but hopefully not too many!

COP 27 will soon be upon us, to be held in Egypt, and you might have visited my previous pieces composed for COP 26 in Glasgow last summer. I am convicted that God not only made the cosmos with this singular jewel of Earth within it, and that He cared for it, and said that it is Good. God also wished and willed that we should care for it, and that we continue to do so. This care should be expressed in prayer, and in personal and local action. It should also be embraced as part of the gospel mandate- the charge to declare God’s Good News to all the world, to all humanity, in all times and places.

For too many of my brothers and sisters, and also other neighbours who do not (yet) share my convictions, there are crucial challenges and obstacles in this manifesto. They stem from our tendencies to oversimplify what must be embraced as a whole. It might seem obvious that thought-through beliefs should be holistic, nuanced and resistant to naïve simplicity. But culture is divided into silos; we are easily drawn to generalisations that make for a simpler life, we tend toward ideological division and all too often pick fights with ‘others’ who we rudely label under stereotypical headings, making a straw man of their complex positions.

In order to set up the solution, I will briefly explore the three sorts of oversimplifications that ought to be avoided. Something like this:

Firstly, the humanists and atheists typically object that Christianity is entirely/mostly concerned with spiritual matters, with mumbo jumbo about the heavenly realms that are in fact merely the residue of the imaginations of a pre-scientific age. God and his angels and all manner of hypothetical things that are not were hypothesised as the causal agents of change and the foundations of our being- all that can now be safely dispensed with.

Now it is certainly true that the most significant point of Christian belief is God. Theology means the study of God. Every manual of theology contains other headings than simply ‘God’, but God comes first, and everything else flows from God. But it is not enough to say that the only proper concern of Christian belief is the Trinity; God, Jesus and the Holy Spirit. That is not because we say so, but because we believe that God’s Revelation says so. It should be obvious to say that believing in the God revealed in Christ ought to lead to radical behaviours in community and in the world, but Christian witness has not always borne this out. If community only means the people who meet in a church building, and they do not act to bring significant impact in the world they quietly inhabit from sabbath to sabbath, then whatever books of theology of may state, the practice of such a community gives grounds to the inadequate understanding that these are people who are so heavenly-minded that they are of no earthly use.

Secondly, I recall a different attitude which was popular during the middle of the last century. Confessing belief in the spiritual and supernatural claims of Christian scripture was commonly rejected. It was trendy for the likes of Don Cupitt to opine that religion is really a human creation, and not owing any debt to the Divine. Revelation is rejected in favour of evolutionary psychology and humanist anthropology. I recall being taken to a showing of Cupitt’s Sea of Faith by a religious studies teacher, leaving with the sense that he had thereby undermined any claim he might otherwise have had to make a valid contribution to our collective spiritual journey. Yet at the same time, it was also common, especially in Catholic circles, to emphasise the so-called social gospel. The emphasis on the conviction that if being Christian means anything it should be visibly expressed in terms of loving our neighbours. Martin Luther King’s faith was expressed in terms of equal rights in the USA, Desmond Tutu’s faith in terms of anti-apartheid campaigning in South Africa, while Catholic Oscar Romero’s faith became visible in denouncing the oppressive dictatorship of El Salvador. For many of my new Christian friends when I was a youngster, these examples were laudable but largely ignored, as their message was presented as being about liberation for people, regardless of faith, and not significantly to do with personal piety or the coming of the Kingdom of God as a spiritual experience. Students of these campaigners will protest that this was an injustice to their convictions, and that is my point. We tend to oversimplify things. And so both groups, whether ‘liberal theologians’ or social campaigners, were rejected as being too much concerned with humanity and things on earth. They are too earthly minded to be of heavenly use, it might be said, or, it would be quoted, as correction, “Set your minds on things that are above, not on things that are on earth.” (Col 3: 2)

And so we come to the third case. Today, many Christian folk are speaking up in the cause of environment and sustainable living. This position easily becomes stereotyped. Members of congregations, rather than their leaders, are frequently heard waxing lyrical about the priority of the planet for our continued thriving under God. This Earth is the focus of our stewardship mandate, we are told. God will hold us accountable for our treatment of God’s Good Earth, and judgement is to be expected if we do not properly discharge our responsibilities in this regard. So our expression of bringing God’s Good News is now to be more seen on the allotment than on a preacher’s soap box. It seems that we speak of worshipping at the recycling centre rather than in the church meeting. The more well-informed will recall that the Christian historian Lynn White explored the thesis that it was the very doctrine of the Dominion Mandate, derived by ‘Christian society’ from the book of Genesis that led to the pillaging and oppression of our world by, firstly, explorers and colonists, and now our modernised and technological society. White’s 1967 paper suggested that we Christians should reinvent our faith more in the image of St Francis of Assisi, singing his canticles to Brother Son and Sister Moon, in preference to the despoiling pre-Industrial ‘dominioning’ of Adam in the Garden of Eden.

The response to this, from self-styled orthodox Christian folk, would be to complain that the ‘real gospel’ is about Jesus who shows us the only way to the Father, and that so-called Christians espousing ‘creation care’ may have a point but that this is dangerously close to exchanging the true God of Heaven for Gaia or some earthly Green religion, closer to paganism than Christianity. It might further be said that the cause of Green politics is to prefer the claims of the planet over those of people- that God’s will is being mistakenly taken in favour of the world over the gospel concern for souls. By definition, any concern that takes attention away from the preaching of the gospel, and the priority of Christian worship in community, must be unorthodox- indeed, heretical.

So my point is this. If we allow ourselves to be drawn into debates about what is really important to be framed in terms of statements beginning, ‘The only thing that matters is…’ then we will fall short of the truth. It might be expected that Christian folk would fall into this kind of simplification, given commitments to the theological keystones of sola scriptura [‘by scripture alone], sola fide [by faith alone], and so on. Perhaps some readers are helped by my brief commentary above; simply elevating such simplifications to the light can expose their naiveté, though I have deliberately only attempted this briefly. The Christian worldview is not simply, ‘God’, or contra your favourite Sunday School lesson, whatever the question is, the answer should be, ‘Jesus‘! Loving our neighbour- and even the atheist Dawkins agrees – must also be important, and this must be practical. We live with our neighbours in the world, and rely on it in every respect for our sustenance and survival, so it is at once neighbourly to look out for the interests of both planet and people. This does not mean that our concern for God becomes less- rather, it finds immediate, more lively and vital expression in these ways. Or, after Paul Tillich, that Ultimate Concern is expressed at all levels and in all modes.

So I begin by saying that there is such a thing as a Christian worldview, and it is informed at a profound level by this discussion. All three points of focus must be constantly in view, which is not to say that they are of equal importance. My belief in the importance of the world, that is, this Earth that is our only physical home, is not inspired by the convictions of either James Lovelock and his post-pagan Gaia hypothesis, nor by the flavour of Green politics that makes the planet the priority, with greater significance than the thriving of human community. Rather, because I believe that the God of the Bible created both cosmos and the ecological environment in which our communities can continue to co-exist it should therefore be possible for us to work out with fear and trembling, (to allude to Phil 2:12) what proper and responsible use of this Earth, rather than its abuse, ought to look like. It seems the plain understanding of the scripture that God did make both planet and people in order than we should live on it, and to make use of its provisions for our own proper ends. The construction of cities is, I think it is reasonable to assert, accepted as an expression of our creative thriving, as is the development of scientifically informed technologies, including space travel. Yet there are, as we now know all too well, significant dangers to both planet and people, far too many of which we have realised, in particular over the last century or so.

My tripartite worldview diagram, indicating that the categories of God, Humanity and the Cosmos (Christopher Southgate’s title) should be augmented with depictions of the relational interactions between them, after Martin Buber. It is also important to state that the cosmos and humanity gain theological definition in being said to belong to God, and being for God’s purposes. In these ways I go beyond what might be considered a statement of received orthodoxy. (P)2018

So I will conclude this statement of principle with commentary on this diagram. The concept of a Christian worldview is not self-evident to anyone who owns that badge, as I have briefly described. I think that the lenses through which various flavours of Christian disciple look at their lives under God are not the same. Some choose to focus their attention on God, and minimise other concerns. This is not so much a ‘worldview’ as a ‘heavenview’. Others acknowledge the spiritual roots of their faith; its Divine inspiration, but are mostly concerned with the here-and-now expression. For them, the question is how to transform the ‘worldliness’ of this life, in the negative sense that the New Testament writers describe the world, into the life of the coming Kingdom of God. And now much more recently the Green movement has been baptised into Christianity by a certain section of believers in many denominations, with orthodox concern for issues and sections of society who have been disadvantaged in various ways, including in the developing world and the poor more generally, though often without much sense of how this relates to the established doctrines of God and humanity.

However inaccurate my brief summary may be, I hope you will allow that my proposal of a worldview that embraces all three poles of concern is persuasive. Certainly, a worldview that is Christian should elevate the person of Jesus Christ in all respects. A Christian worldview will be richly informed and grounded on Christian Scripture. Such a worldview does not mean the pictorial representation of the cosmos in the ancient Near East that had a flat earth on pillars surrounded by sea and overshadowed by a solid dome of the heavens- that is a common misconception that is tangential to the question of worldview.

But really what a formulation that is worthy of the description must be- one that conveys with integrity to the message of Christianity- is one that puts us in mind of the broadest vantage point which our faith empowers, the most inclusive view. Photographers have a fish eye lens, and this captures the very widest view available. This can be a metaphor for the worldview- it has everything in it. As with the photo, we have more detail in some parts than others. Our scientific understanding of the Earth and the wider universe is now much advanced, and we also know a great deal about various aspects of humanity. Our knowledge of God is different, relying on God’s self-revelation to us. But these points are a little besides the point. It is the source of Christian revelation, the Bible, that tells us about God’s world, which we can approximately call the Earth, though this is not an identical category. In the same way, what the Bible has to tell us about ourselves as human beings is not of the same order or mode as the insights of our science or psychology. And key amongst these are the revelations of God to God’s people, firstly the Jews, and then the Christians. We are given insight, significantly informed by God’s own point of view, about these three categories. For me, this is what should be usefully meant by a Christian worldview.

I further conclude that this ‘worldview’ should perhaps be considered as a film rather than a still image. A study of Genesis under those three headings provides particular insights, and these are not the same as that afforded by other parts of the Biblical canon. In the case of Genesis, I must say that this starts as a Jewish worldview, but that is then modified from the Christian perspective. The same data is then considered somewhat differently from the later perspective, and thus becomes Christianised, or ‘Judeo-Christian’ perhaps. Telescopes and microscopes contain many lenses, and these are deployed in many ways for different purposes. Something similar could be said for the Biblical or Christian worldview- and so perhaps I would say that ‘Christian’ adds elements of tradition and praxis to such a view that the more constrained reliance on the text of scripture affords.

I will pause here, as the next significant discussion will be my take on the contribution that the work of Martin Buber in Ich und Du, ‘I and Thou’ can make to my formulation of a Christian worldview. This will require more preparation after my earlier research, so you will have to be patient.

In the meantime, I will make this clear. I am, as far as I know, making a novel claim about what a Christian worldview should be. I am developing something myself because I see the need to bring scriptural resources and understanding to bear on this key question that is charged with new significance in this current age: How does God want God’s own people to see their place and their roles in God’s world and cosmos in these days of increasing challenge? John Piper told us, ‘Your God is too small.’ I think that our view of humanity is diminished compared with God’s stated intentions. ‘Your humans are too small,’ as Piper might have said. And we have not paid enough attention to God’s gift of God’s Earth to us. ‘Your view of the Earth is too limited.’ And because God has formed us in God’s image, in imago Dei, Who is both Unchanging and eternally Creative, we should discover that just because all things are to be brought together under One Head, even Christ, does not mean that what-is-to-come has already been written. ‘Your view of the Future is too constrained.’ Not because God is obliged, but solely because God has willed it, we are engaged by God in a covenant to make the future with God.

St Augustine is commonly credited with this aphorism, in this telling certainly resonant with John 15:5. Image from Rev Tim Kell’s blog. My claim is that this is the germ of the concept of co-creation at a scale that has yet to be realised. I am sure you note the visual reference above to Michelangelo’s Creation of Adam on the ceiling of the Sistine Chapel.

I propose that a wide, holistic and fully informed worldview is vital and necessary in our day to empower us to draw on the resources of scripture, tradition, doctrine and Spirit that have always been at our disposal, but to which we have stood too close to appreciate the possibilities and potential it offers. From a more suitable and objective vantage point we will better understand both the challenges we face in God and also the means by which God would partner with God’s people as co-creators of God’s Good Future.

© 2022 Stephen Thompson, except where credited.

The Wedding at Stalisfield.

The first recorded miracle is Jesus’ transformation of 120 gallons of spring water into wine at the Wedding in Cana. His mother has rather cheekily suggested that Jesus should take responsibility for replenishing the supply of wine, as the party has been going very well and now the supply has been exhausted. Vines do transform water naturally into wine, but it takes too long when the need is pressing. Our good friend Darren Eagles accurately described in our daughter’s wedding day sermon that Jesus’ first miracle is completely superfluous to the necessity of the occasion. The happy couple are already married, and their marriage is beginning perfectly adequately. It’s simply that the wine – a Jewish symbol for joy- has run out. And there is the clue. In the Kingdom of God, there will be no limits to our collective joy- a so much richer category than ‘happiness’.

We had a wedding at the weekend. Perhaps just another wedding, you might think. But not for me, as I was the father of the bride, and this is the only time I ever get to say that, as our other children are sons. Every wedding is a unique occasion in the sight of God, being the best symbol of the heart intention of God for His whole creation: the First Creation and the New Creation are brought together in the wedding of every husband and bride.

Perhaps this is exactly why the first occasion when the gospels record a creative miracle through the Presence of Jesus is at an otherwise forgotten village in the Galilean countryside called Cana, and where the couple themselves are not named, for they stand for every couple brought together at a wedding, and also for The Final Wedding, when Jesus comes again for His Bride. The details of the ceremony are not recorded, for this is not so important. God is present in blessing and to Bless, which is the ceremonial that matters most, embracing every detail of human ritual and giving the ‘Amen’ from heaven to every sincere vow. Exactly what words were uttered across history by priest, parent and each couple are known only to God. We make our own word to show our love and solemnity as expresses our cultures. As you will know, this blog is set on the purpose of reality and practicality, so I am prepared to share my words with you for your encouragement. They were not written for you directly, but they may encourage fruit in your families, so I will gift them to you as well.

Here’s what I said for my daughter Charis and her new husband Adam, at our family party in a modest hall next to a green in a Kentish village called Stalisfield on top of the North Downs last Saturday evening. Their young friends came in force, and you will note that they’d hired a mobile bar to keep everyone ‘watered’ – as far as I know, it didn’t run dry.

In the Bible, in Genesis 12, God speaks ‘out of the sky’ to one man chosen for some mysterious reason. “Go to another land I will show you… and I will make you a blessing.”  God still does this: I met a guy this week who is proving again that this is a real calling and no whimsy. 

Dearly Beloved, we are gathered here today as a consequence of adventurous choices made by four older people some several years ago.  I will certainly let Mrs Claire and Dr Doggett speak for themselves, but for Shon and myself, we continue to be overjoyed that the adventure of faith with our real God in God’s real world that brought us together in the village outside Stoke that was Keele University- this adventure that is continuing into another generation with Charis – unutterably radiant!- and our bright and shiny new son-in-law Adam.  How splendid!

For us, the largely unexplored country was how to grow a Christian marriage with integrity that deals gently with the cultures of Hong Kong and China, with London and Maidstone. Oh my, that’s been a mission! Still getting started on that… For this one of our children we are celebrating today, I see the next chapter in the story of creating a Christian woman.  Charis is determined to grow up, so if you are desperate to get your fix of giggles and laughs in a filmshow of less and less grainy photos from Charis’s childhood, you’ll have to make another date with us, and you are very welcome! 

So I’m reflecting with you today on Genesis 24, which is 67 verses long and so I’ll summarise.  If you got the impression in Genesis 12 that God was only interested in calling the man Abraham, you’ve been totally misled.  His wife Sarah is no understudy, and this should be even more obvious when we consider Rebecca.  Abraham and Sarah’s son Isaac will indeed be needing a wife, and this chapter is about how everyone discovers they are partners with God in finding her.  Abraham sends his manservant to find a suitable bride amongst his long-lost relatives, but this is no crude arranged marriage.  Old man Abraham sends his servant afar off with expectation of the guidance of God, yet there is no talk of ‘picking the right one.’ The young woman herself will be the only proof that matters- her own character, her free will, her agency as a woman, created free within the boundaries of her society.  Is she friendly, open to other people, caring and generous?  Does she know the meaning of an honest day’s work, as every young person should, but so often doesn’t?  Is she comfortable in her own skin as a person- and creative, imagining the better life that we can all live if she makes a gift of herself and puts daily energy into that investment?  God does indeed dearly wish and will to direct our steps, but they ought to be steps along the aisle of life that she initiates of her own generous free will. 

I do hope you know the story.  As the challenge has been put to God, the manservant arrives at the village with his ten very thirsty camels, and out comes Rebecca with her water jar, balanced ever so elegantly on her head, because it is the time of day that all the flocks must be watered.  She quickly responds to their needs, first of all, without reluctance and beyond the basic sense of social duty.  “Here is drink for you, and I will draw and pour water for all your camels- until they are no longer thirsty!”  Have you any idea how much water that is?!

 The text acknowledges this largess. This is the scale of willing ambition that must motivate a person to embrace theology and embark on a career in counselling at the same time: an adventure that can surely only be successful if we know that our God is big enough.

But beyond the business of the animals, there is the wider family.  In short, everyone agrees that Rebecca would be a suitable match for Isaac, but as with wedding speeches, there is a pressing urgency and the servant wants to return to his master.  “Stay for ten days so we can party and say goodbye properly.”  How very Chinese!  In the brevity of the biblical account, it comes down to this. No, not, ‘Is it God’s will?’ Not, ‘Does this stranger want it to be so?’  Not, ‘Who is this weird bloke, I’ve not even met him yet!’  Not because my Mum and Dad want to get rid of me.  The question is put to Rebecca herself, to consciously and deliberately, bravely and boldly to make up her mind and decide in faith for herself: ‘Will you go with this man?’  And into a land and the Destiny that that decision beckons you into.  Of marriage and children and life given into others with creative generosity, that is committed to getting to know people within and beyond the bounds of family, to bless them, to bring balm and even healing. 

Charis, you have received with grace the love and care we have done our best to lavish on you as you have grown up- despite our many shortcomings- and come to thrive through the friendship and fellowship in life of so many, quite a few of whom are here today to rejoice together.  We are discovering that success in human becoming is with our Lord Jesus, and with Him, we bless you on this Day we have made together in God.

Raise your glasses with me, to Charis, and Adam: “‘I will make you a blessing,’ and we will help. ”

By a subtle sleight of hand my glass of water did appear to be changed to ‘wine’ before the eyes of the gathering. Great timing Mr Photographer sir!

To Charis and Adam!

© 2022 Stephen Thompson

Four criteria for a theological reading of Genesis 1-3

Alister McGrath says in his introductory chapter The landscape of faith of ‘Mere Theology’ (2010) that a theological reading of the Eucharist can be made under four headings (retrospective, anticipation, affirming faith & affirming belonging), going on to make this a case study of what thinking theologically looks like. I am struck that this is not a trivial claim: the sacramental understanding of the Eucharist is that it is the moment at which Church is born. The unity of God in Christ with his human disciples is announced at the Last Supper in the Upper Room and underlined with cosmic drama at the Supper in Emmaus. These accounts are the basis of our ongoing celebration of The Lord’s Table, a drawing forward into our present of the creative moment that is enacted before and after the crucifixion and resurrection. The power of that first Creation is recreated in our continuing Holy Communion- a Providential sustaining of what was first declared over the ‘mere’ elements of bread and wine. So I was paying attention when McGrath laid out his four-fold analysis. I agree that this simple framework does justice to assessing the weight of meaning in the Eucharist. His schema strikes me as apposite to ongoing reflections on the meaning of Genesis 1-4.

Retrospective. 

Looking to the past. The Eucharist looks back to Passover and beyond to the liberation of Israel from oppression. The Exodus is the Creation of the People of God.  What does Genesis look back to? In the beginning God. Not stuff or space or any dimension of human history and life. Before all and everything is God.  Only once this is perceived can any of the following statements in Genesis 1 be made sensible.  Earth, water, sky, heavens, plants and creatures, and then humans in Imago Dei. These are indeed the subjects of the opening creation account, but they are not the focus. God is. Sure, the opening chapter does have the stuff of created things in clear view, but what the theological lens really focuses on is the foundational assertion of God; and only then does it make sense to read forward from this assertion of the sovereign God who is real can we then have confidence that this real God (against all alternatives which are merely the fruit of fantasy, or deception) is the Creator of all that is real, the One who has the vital power of Providence and therefore hold our entire life and being securely.

Anticipation. 

Looking forward: for the Eucharist, to the Final Return of God to unity in full experience, the Head Who is Christ joined with Christ’s Body, which is all the saints of God through history past and future.  The whole Genesis account is held in the frame of the creation week, and it is in this matrix that I put the answer that Genesis looks forward to the seventh Day, the Sabbath Rest of God, which is presented here in embryo and only given partial gestation through the balance of Scripture, especially in Hebrews and Revelation. In Genesis we are alerted by the temporary halt between the sixth and then the seventh Days.  (Note that the pause happens to be near to the chapter division between Gen 1 and Gen 2, but this is coincidental. What I say is a ‘pause’ is in the Hebrew text at 2:1, and then given substance at 2:2-3.) In this heavy hint is the foundation of the theological principle now but not yet.  In the tension between our having fallen short of the glory of God, in this life of perseverance and pain, and the life of the world to come is a realisation of hope rather than tragedy. In the promise of a glorious Sabbath to come is an assurance that we will know more of the mercy of God than God’s judgement. What will become evident later in the New Testament is the New Creation. While that reality waits for later, it is still implicit in the terms of Genesis 2 that what God did at the beginning (and sustains through Providence) is not all that pertains to Creation. Creation has started, as God determined; creation continues through salvation history and Providence; and Creation is not yet completed, for there will be more- a New Creation.

So the Creation properly begins with God, and therefore emphatically prior to any notions of Science or History. Thus I state positively what Claus Westermann states in the negative (Creation, 1974). How could we humans know anything of the Beginning? Westermann asserts this is a futile ambition. But God self-reveals in this first Revelation in Genesis. God declares as the First, the ground of all Being and Becoming, the First Person of Creation, Creator. This is not all, and perhaps Westermann missed something. While we can know less of the start of creation than we would wish, from the vantage point of the New Testament, we already know more of the New Creation than we could dare to wonder about.

Affirming faith

Thirdly, McGrath says that a theological appreciation affirms individual faith.  Regarding the Eucharist, we each receive, and are included as individuals. Many points of note could be listed with regard to Genesis, and this is familiar territory.  We should readily identify that we ourselves are depicted as ha’adam, later called Adam (and finally identified as one human male individual). And we perceive our difference and distinction as individuals as the first couple are differentiated and charged with the care and overview of the Garden. They are also singled out in all of Creation to be the chosen participants in Divine fellowship.  God has only one destination in the map of Genesis: the cool garden where God’s spirit – inbreathed stewards exercise their delegated dominion mandate.

Affirming belonging

Fourthly and finally, McGrath squares off his theological analysis with the affirmation of our corporate belonging. This is the spiritual climax of the Eucharist, though the oneness is not yet fully realised. Here is another of the profound polemic assertions of Genesis.  Against the universal cultural context, Genesis sets out with great robustness that we are all in this together.  God has no favourites. We do not need to despair of an audience with the King of heaven if we are not kings on earth, for God makes kings of us all. We all have access to Divine fellowship, as God comes seeking us all. The prayers of all are heard; we are all fully known.  Of course, all at once we know as well that we are all together in apprehending the moral goodness of God, and that we fall short of that standard – individually and corporately.  “She ate, and her husband was with her.”  But we are to hold all these claims together:  Made from common clay, taken from common flesh, jointly charged and commissioned, tested and found wanting together, brought collectively to the moment of judgement and grace, we are shown that there are no particular kings of priests receiving privileged treatment at the expense of the masses. And then again, that we are all alike elevated to the equality of the heavenly People of God, a kingdom and priests to our God. Whereas all the rival creation myths surrounding Israel in the ancient Near East assert the privilege of a mere few overlords, a very few select kings (in preference to queens) and their very elite circles, who alone have what limited access there might be to communication between the gods and humanity. The perspective offered by the Genesis account is far superior!

In these four dimensions we can thus plot and discern the contours of this theological map of our beginnings in God. It is vital that we continue in appreciation of the reading frames that we can apply in order to draw valid conclusions.

© 2022 Stephen Thompson

In the caravan with Caravaggio.

Caravaggio’s Supper on the Road to Emmaus at the National Gallery, London. I don’t think any of the titles for this painting are ‘official’, so this is mine!

In a Faraday Institute interview published in February 2022, Ruth Bancewicz asked Professor Alister McGrath (the Andreas Idreos Professor of Science and Religion at Oxford) to speculate on the sorts of questions he might be asking in future decades; what questions might be raised by future scientific discoveries. I find his response to be particularly pithy in terms of worldview- a worldview that is at once Christian, and yet also open as a way of thinking that can be offered to those without such commitments, whether scientists or otherwise.

I don’t know! I often find myself circling old questions, gradually giving better answers than those I found ten or twenty years ago. I have no doubt that new questions will arise about human nature and destiny, and our place within the natural world – questions that we need to engage, rather than to avoid or hope that they will just go away. But I am confident that Christianity will be able to offer us ways of engaging these new questions, and helping us to think them through.

Alister McGrath

McGrath began by saying, very straightforwardly, that he doesn’t know what questions the future may hold, which is clearly the only correct answer to give to such a cheeky question. But then again, this is too simplistic. Subtly and gently, I think, he then implies that the important questions are already known- at least in broad brush- and so it is less likely there will be really new types of questions. He puts these enduring questions somewhat like this: What is the nature of being human? What is our place in the natural world? What is our destiny as humans in the cosmos? Without fixing these down rigidly in a sequence on a timeline, nevertheless we might take these as (i) ‘what were we, as humans?’ (ii) ‘where do we find ourselves now?’ and (iii) ‘where are we going?’ or perhaps, ‘what are we becoming?’ Having engaged in such a clumsy deconstructive analysis, you too may appreciate the poetry of McGrath’s answer rather more than at first reading. And to continue: for McGrath, such a continuing ‘inquisition’ is exciting, because while questioning is the core of science, it is no enemy of faith, properly understood. McGrath knows that many Christian folk consider certain questions, particularly those stemming from scientific discoveries, to be unwelcome in their life of faith, but there is truly no grounds for such fearfulness. McGrath takes the contrary and very positive view, because he has learned that human flourishing emerges from a robust interaction between his Christian faith and science. As I wrote in my last post, atheists Carl Sagan and Richard Dawkins choose to look back at the vastness of the cosmos from the perspective of our diminutive human scale and short lifespan, drawing only pessimistic conclusions. Alistair McGrath left that intellectual workhouse long ago, as he found that the Christian worldview embraces all the demonstrated facts of science, and enriches them. Hope, not despair, this way lies! So I note that Ruth Bancewicz’s question proved rather fruitful, against my expectations.

Long ago did the gallery of ‘Christian Art’ burst at the seams, at least if you insist on counting up all the depictions of the Annunciation, Nativity, the events of Holy Week and especially the Crucifixion. It is the stuff of orthodoxy to esteem the central place of these key episodes in the gospel accounts, and quite proper that our meditation on them ought to be spiritually enriching. By far the majority of well known examples, the principal exhibits in the canon of art for which the Masters are rightly famed, have a visual quality that is less-of-this-world, saints adorned with prominent shiny halos, the figures over-stylised , depicted in idealised and romanticised settings, while too often chubby cherubs gambol around in the skies above tugging at modesty cloths like puppies with very strong toilet roll. It’s not very realistic, is it?! The solution to one problem, viz: how to make the picture sufficiently epic that it does justice to the great claims made in the scenes of conversation between angels and mortals, the birth of God, or the death of the God-man Jesus Christ, then becomes the cause of a new problem. Now the image is so abnormal that it has little of the appeal of normality about it- it has transported us to another world, perhaps very effectively, but to such an extent that we have left this world completely behind. Some maintain this is the point, for eschatologically, that is a key aspect of the hope that Christianity offers. However, if the world that Science wonders at, is awestruck by and seeks to interrogate in order to know it better, to know it well, and to savour it, is lost by such a transport, then this is no longer Christianity, for the Nativity profoundly speaks of Incarnation. The God who Christians claim to know in Christ came into this world. There may be a place for art that is other-worldly, ethereal and evocative of the spiritual, High Art that takes our imagination to the heavenlies, but at this point we might heed the Jewish sanction against idols and images of the Divine. They are likely to be a distraction from the real God and the sort of world that God made, and thus, quite simply, heretical.

We need better art, by which I mean, theologically better art, that might bring heaven and earth, and thus God and humankind, together.

Enter Caravaggio.

Michelangelo Merisi da Caravaggio. 1601. Supper after the walk to Emmaus. NG172

Caravaggio (1571-1610) would have seen Michelangelo’s Sistine Chapel ceiling (completed in 1512) in its novel glory, Exhibit Number One in my roll call of unrealistic artistic depictions of spiritually significant scenes. Caravaggio was commissioned to paint altarpieces for grand churches, and thus on the approved list of artists to produce work for traditional and sacred purposes. He was also reputed to be a bit of a rebel, which I take to mean that he didn’t necessarily paint what he was told to, or how to paint it, more to the point. Which is why we love creative types. Unpredictable, impossible to control- you just don’t know what you are going to see next. And sometimes that is exciting in the same way as science is exciting. A creative and perceptive artist can show us something that may have been there all the time, but we just hadn’t seen yet. They give us a viewpoint that is less invention and not at all fantasy, but rather discovery and description- an accurate description, exactly as prized by the scientist. This is how the world is, and how we are in it.

Which is what is going on in Caravaggio’s 1601 painting of a meal served in a public house in a Jewish village called Emmaus, just after Passover to three guys who’d just trekked across country and now need a wash, a good meal and bed. The second of those requirements is taking place before our eyes. Their cook has served a feast of bread and poultry, presented to restaurant standard, along with a bowl of fruit burdened and overspilling with figs, plums, apples, pears and others I don’t recognise. The grapes are so fresh the unwilted vine leaves are still attached, further adorning this succulent table decoration.

You may know the scene from Luke’s gospel account. The resurrection appearances of Jesus in the days following the first Easter are described in various ways- his followers are caught by surprise, in stunned amazement, shock, disbelief, and so on. In this case, Luke gives us the comic treatment. Two disciples, who are not part of the Twelve, are walking away from Jerusalem, disconsolate, on the road toward Emmaus, engrossed in their grieving, trying to come to terms with the apparent defeat and tragedy of the crucifixion of Jesus of Nazareth. Then Jesus himself comes alongside them, for all the world seeming as a normal traveller. He is greeted and joins their conversation- yet they don’t recognise him!

13 That very day two of them were going to a village named Emmaus, about seven miles[a] from Jerusalem, 14 and they were talking with each other about all these things that had happened. 15 While they were talking and discussing together, Jesus himself drew near and went with them. 16 But their eyes were kept from recognizing him. 17 And he said to them, “What is this conversation that you are holding with each other as you walk?” And they stood still, looking sad. 18 Then one of them, named Cleopas, answered him, “Are you the only visitor to Jerusalem who does not know the things that have happened there in these days?” 19 And he said to them, “What things?” And they said to him, “Concerning Jesus of Nazareth, a man who was a prophet mighty in deed and word before God and all the people, 20 and how our chief priests and rulers delivered him up to be condemned to death, and crucified him. 21 But we had hoped that he was the one to redeem Israel. Yes, and besides all this, it is now the third day since these things happened. 22 Moreover, some women of our company amazed us. They were at the tomb early in the morning, 23 and when they did not find his body, they came back saying that they had even seen a vision of angels, who said that he was alive. 24 Some of those who were with us went to the tomb and found it just as the women had said, but him they did not see.” 25 And he said to them, “O foolish ones, and slow of heart to believe all that the prophets have spoken! 26 Was it not necessary that the Christ should suffer these things and enter into his glory?” 27 And beginning with Moses and all the Prophets, he interpreted to them in all the Scriptures the things concerning himself.

Luke 24: 13-27 ESV (28-35 below)

I can imagine that Simon and Cleopas were rather embarrassed when they told their story afterwards. They knew perfectly well what Jesus looked like- they had listened very attentively to his teaching and would have known his mannerisms well. So we have the claim that another miracle took place which explains this: ‘their eyes were kept from recognizing him’! God was hiding in plain sight before them. Not for the first time. Or the last…

The scene described at verses 30-31 is the focus of Caravaggio’s depiction:

28 So they drew near to the village to which they were going. He acted as if he were going farther, 29 but they urged him strongly, saying, “Stay with us, for it is toward evening and the day is now far spent.” So he went in to stay with them. 30 When he was at table with them, he took the bread and blessed and broke it and gave it to them. 31 And their eyes were opened, and they recognized him. And he vanished from their sight. 32 They said to each other, “Did not our hearts burn within us while he talked to us on the road, while he opened to us the Scriptures?” 33 And they rose that same hour and returned to Jerusalem. And they found the eleven and those who were with them gathered together, 34 saying, “The Lord has risen indeed, and has appeared to Simon!” 35 Then they told what had happened on the road, and how he was known to them in the breaking of the bread.

In so many ways this encounter takes place at the threshold of reality and experience. The two men think their friend and Lord is dead, but he is very much alive and with them, in the extended moment of their journey. They can see Jesus, and yet they can’t see Who it is at all. They think they know what has happened with Him in recent days, and yet there is so much they do not know. They thought that they knew the scriptures- what the meaning of the teaching and the prophecy was- yet their mysterious companion shows that they still hadn’t got the half of it. What they thought it was to be a member of God’s family community, and what that might become- so much of their understanding proves to be, so near and yet so far- a misunderstanding. And yet they come to understand at last, as the One of whom those scriptures speaks, and to Whom that tradition points, showed them Himself, in person. All this realisation and revelation comes to them in the flesh and blood encounter of a regular walking trip to an otherwise unknown village a few hours walk from Jerusalem, and is rounded out at an unremarkable meal table with bread and water and the other common fare that would have been served to passing folk, day in and day out.

Not that that is how Caravaggio does it. He embellishes the details for aesthetic effect, and to make full boast of his painterly prowess. He deploys the full range of his artistry to do justice to the scene and the climactic moment when the two disciples’ eyes are opened, but what our painter-guide shows us is still absolutely real.

Caravaggio transports us to a much more luxurious setting, where the table is covered by a richly woven cloth, itself overlain with a pristine white covering, on which delicate glasses, an exotic pitcher and a highly decorated plate hold the provender. The woven fruit basket has a delicate bowed handle, far too small to be of practical use if to be carried when filled. The chair we can see is a particularly fine example of carpentry, its depiction a work of graphic genius. The clothing of the four figures samples the range of adornments typical of the various classes that reflect the whole of society- well, male society, anyway. Jesus is nobly enrobed in scarlet and cream, while the man seated on the left has a prominent and suggestively working class hole at the elbow of his still-prized green coat. The other disciple and their cook both sport finely cut short leather jackets. There is no sign of the dust and dirt that we might imagine – that has been banished at this moment of making new. Illumination- light!- is everywhere in the picture, and not at all limited to the face of Jesus, on whom the three are fixed at this Eureka moment. Light is falling from above, and yet reflects as luminously from cloth and clothing all around the picture. The message of the picture is not only the revelation of the light of the world. The life of Jesus bursts forth from his person, and all is alive as a result. As he reaches forward over the bread toward us, all that was static surges into motion. Is it Cleopas on our left? He thrusts back toward us in his chair with surprised delight. Opposite, Simon throws his arms aside, his left hand reaching out to include the viewer, his gesture caught in fine focus, while his right reaches out to grasp his Lord with an out of focus but strangely enlarged right hand- as though to get a better hold of what he had thought he had lost. Even the fruit basket is now tottering toward us over the table edge, as perhaps Simon has knocked it forward as he reacts – another comic detail.

By all these means, and more subtleties I have not noticed, there is transformation and transubstantiation depicted in this wonderful painting. And this is the point- the wonder is filling the painting- it is not elsewhere, in some different place. The eucharist that is taking place is transforming what was earlier perceived only as the body of a mere man into the God-man Jesus. If the bread and wine are transformed it is only because Jesus is present with them; with us. The light is the same light that illuminates our lives, and now we see the Light of the World, which is the empowering, the dunamis, of all Being and Life. And yet in Caravaggio’s handling, everything that was in the world before this ‘revelation’ is still there now, but all is enobled. The textiles and garments, the foodstuffs, the collected crafts and artistry of humanity, and the bounty of the natural world- all are celebrated and now are in praise of the One who is Alive and gives Life to all. This whole world is charged by Caravaggio’s brush with the grandeur of God, while the gaze of the cook, Cleopas and Simon all command us to attend to the outstretched hand of Invitation, even as our shared foodstuffs are blessed at the common table. As Jesus’ own glance is directed downward to the stuff on which His blessing rests, the whole scene speaks to us, material, men and Master, all.

Don’t get me wrong now. In common with other resurrection appearances, something very much out of our ordinary will take place. Jesus is about to vanish right before the wondering disciples at their table eucharist. Nothing ‘this worldly’ about that, you might say. But that event conveys the meaning that Sagan and Dawkins do not see. Science creates a view of the cosmos that is defined by two aspects only: (i) us as human observers, and (ii) the natural world of which we are part and which we inhabit. But what is dismissed as fancy by the atheist may yet be true, and this is the claim evidenced in Christ. Therefore the Christian worldview is in three aspects:

Two depictions of the Tripartite worldview. (P) Stephen Thompson

So the crucial difference is thus. God is, and furthermore, God choses to be in the world, and to interact with it, and with us. So the scientist who insists on describing and admitting only what is evidenced by repeatable sense perceptions is, by unjustifiable assumption, excluding a crucial part of what is in fact reality, and denying experience, at least of some witnesses. If we are investigating the behaviour of a falling bowl of fruit, the momentum of a shifting chair, or the reflected gleam of coloured light from a rinsed bunch of grapes, then science is up to those tasks. But if this world is in fact God’s world, the cosmos of God’s own and entire creation, then there must likely be data and realities and experience that lie beyond the purview of the scientist, but within the reach of the theologian, and it is not nonsensical to say, within the grasp of the scientist-theologian, who looks with more eyes than the materialist, and may see things that would otherwise be missed. And some things that God does in God’s world have not happened before, which breaks no rules at all, least of all the so-called rules of science. Jesus came back from death in physical, not incorporeal form. So testify Simon and Cleopas and the rest. And then he also transcended simply human form, they also testify, as he ‘vanished from their sight.’ Similar repeated temporary appearances testified to in the gospels address our collective rational concerns: was this a one-off phenomenon? It would surely be suspect if it was. No, proclaim the collected witnesses. And so the apostles go on to assert by the inspiration of God’s Spirit amongst us: We shall all be raised incorruptible.

So there are undoubtedly new questions to face across the boundary of science and religion/theology, but these are perhaps more likely to be inspired by grappling with the worldview of the Christian faith, taking it as the source of inspiration, rather than from the disciplines of the sciences, in their pure forms. It’s not so much the new data from the progress of science per se that we should be looking out for (surely an implicit acceptance of the god-of-the-gaps fallacy), but the excluded and forbidden data from the testimonies and experience of those who journey with the God who invites us to live with Him by faith. And we can be confident that this will not destroy any proper science, though we may appreciate it more, being properly grounded in both awe and humility, and then go on to demonstrate consistency in the claim that it is the same God who makes light to shine in the world and Light to shine in our hearts. And I think Caravaggio would be pleased to join us on that adventure.

©2022 Stephen Thompson

A prison of possibilities.

I hope you are appreciating the art featured in this blog, as well as the text. I find the combination synergistic- the product is greater than the sum of the parts. Is it inevitable that words, in however careful a way their combination may be contrived, will trigger certain images in the readers’ mind that are not so precisely what the author wishes for? The addition of an appropriate image can add a different sort of stimulus which guides the reader in a novel direction, and, importantly, away from other well-worn paths. Personally, I think this is as much true of my own invention and creation process: a particular image provokes my imagination and stimulates a specific line of thought. This post results from such an occasion. My list of broad and eclectic tastes includes architecture and architectural drawing. In trawling through Pinterest recently, I stumbled on this wonderful piece of work by Saif Mhaisen, who trained as an architect but moved sideways into being an artist because, as he kindly explained in correspondence, he sought the greater creative potential of visual imagery under the artist’s control. A full page displays 8 projections of a room featuring one inhabitant, each one beautifully contrasting spaces and the walls that are their boundaries, light and dark, windows and shadows- occupied by the same figure, shown in various poses, sometimes in motion, often static- yet very alive. What at first appears to be a thorough architectural exercise, laid out with mathematical formality, turns out to be rather more than the professionally objective depiction of a singular space merely adorned with a symbolic figure. As Saif says, “I draw people and paint things. Sometimes I paint people and draw things, but mostly I draw people and paint things”1. In this single room, the figure is the actual inhabitant of the space, not merely a graphic adornment as is usually the case in architectural drawings. I discern a particular individuality in this figure, very much a posed manikin, and yet somewhat removed from ideal proportions. The neck is a little extended, enhancing the suggestion of emotional state, which is resigned. And then it dawned on me2.

‘Design of a Prison Cell’ Saif Mhaisen. Pencil on paper. 2012. As I meditate on the life depicted in these drawings, the room so carefully rendered in nuanced tones, I realise that the figure is without shading, as if it maintains its own internal light, perhaps derived from the light that is allowed to beam in from outside- both from the generous window and the skylight above. Can there be an institution called ‘Hope Prison’? I think Saif has drawn it. [My thanks to Saif Mhaisen for permission to reproduce this image.]

The reason that Saif Mhaisen’s figure is so organically part of this room is because this is the only place where they live and exist: it is their prison cell- and not a hermitage or a garden outhouse; neither a shed nor a private hotel room. It is part of this world- or at least it could be, if it were built- but shown completely detached from the rest of the building it must be part of, and likewise, the life of the inmate is absolutely separate from the rest of society.

And I still love this picture- these pictures. Perhaps, I now love them more. A prison is a creative place, is it not? I imagine that this would be an exercise for architecture students. They design rooms for all sorts of purposes, and a prison cell is a technology of incarceration that should be as much about rehabilitation as it is about punishment. A return to the womb of society, so that in that concentrated solitude the person within might be reformed and developed. The constraint is for a purpose, and in Mhaisen’s hand, the pencil describes a grid and a network of viewpoints that could be, we might hope, a renewing and humanising influence on the less-than-human, flawed individual that has been (temporarily) locked within. As I researched Mhaisen’s background, I found a New York Times article about artistic reflections on prison and imprisonment, evocatively titled, ‘The pencil is a key.’ If I ever were to be a prisoner, may it be in Mhaisen’s cell, for he has drawn a lock-up in which the man within can find the way to a new life, and real freedom. I get the impression that Mhaisen has progressed to a glittering career in art, and perhaps this epithet speaks of his visual artistry more broadly, equivalent to the literary proverb, ‘The pen is mightier than the sword.’

The thing is, a room is not just a room. One room may seem to be very much like any other, a bounded space in which life is possible. But all rooms are not the same, and certainly, the dimensions are significant, as is the matter of one’s freedom. A room with an open doorway is a very different thing from one in which you are locked, permanently, or at the whim of a jailer. A small space is limiting to human creativity and human becoming, while a large space, especially a house that one is free to do as one wishes, a place of vigorous life. Yet we might prove curiously adaptable to the contours of the social environments we find ourselves in. While some princes may be famed in their imprisonment, a humble peasant might become a philosopher. Of greatest importance in this is the companionship that we may or may not enjoy. What use is unfettered freedom on a richly provisioned island without other persons to share it with? The song lyric refers to more than love when it proclaims, ‘How wonderful life is while you’re in the world.’ There is more to being human than the dimensions of our bodies, the spaces we live in, or even the duress we might endure.

Which brings me to space and science. Our understanding of our place in the universe has developed by twists and turns as we have slowly come to understand that there is a universe, and that we live on a planet, with a star nearby, and some planetary neighbours that are so far away that at best they are only more mobile specks of light in the circling night sky. Not so long ago astronomy was more a matter of fantasy than of fact, when Ptolemy had the Earth at the centre of the geocentric system and drew fanciful circles within circles (they were called epicycles) to match the observed motions of the planets with his ideology that everything in the heavens could only move in perfect circles- there could be no other kind of orbit, the ancients were convinced. Nearing his death, Nicolas Copernicus finally published his worked-up heliocentric theory, moving the Earth to its proper place as a satellite of our blazing Sun, but he still had Ptolemy’s epicycles. Despite Galileo’s discoveries of the orbiting moons of Jupiter and the phases of Venus, it would take Tycho Brahe’s precise observations and Kepler’s mathematics to drag astronomical theorising into the proper realms of what we now call science. If it looks like a planetary body is orbiting in an ellipse, rather than a circle, then that is actually what it is doing!

Now this is all head-above-the-clouds stuff, obviously, and we might wonder what difference this made to the average Jane and Joe back then. It matters because, inevitably, we are very much influenced in our view of ourselves by our perceptions and evaluations of our our surroundings. Is it right to criticise the past folk for accumulating ideas of their own significance, bolstered by the sense perception that the sun and moon and stars give all the appearance of going around us and our world? Such intuitions may be recognised as being naïve and very wrong now, but they were not stupid.

Fast forward to the Moon Race in the 1960s, and December 24th 1968. I was 3 months old, so would not have known that Apollo 8 astronaut Bill Anders was far away on the other side of the moon, and very much surprised by the sight of our Earth appearing over the lunar horizon as they were scoping out possible landing sites for the later missions. By the marvels of modern technology, we can now go back in time to join them in this moment when the most reproduced photograph in history was taken- the view of our blue and cloud wreathed planet revealed against the inky blackness of deep space. If you scoot over all the links I’ve placed in my posts up to now, fair enough, but please go and see that one.

As you may now appreciate, this printed picture, a spread of black and blue and green ink on a white sheet of paper, was the stuff of which new dreams of our significance could be made of. It is no less true to say now that the Apollo missions were about mankind’s adventuring to the moon- going there, coming back, going again and landing, and then coming home safely again. And what a great adventure it was, which succeeded in placing 12 men on the lunar surface, and returning all who set out to their homes again. But there was another adventure that was not foreseen- to show all of us our Earth, our Home, from the perspective of another place entirely. Though perhaps T S Eliot could claim to have done so.

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.

—T.S. Eliot, from “Little Gidding,” Four Quartets, 1943.

It seems that we have all become different as human beings because a few of us went away on this brief journey. I didn’t get to go on that exploration- though perhaps now I have, as I have seen the NASA reconstruction. This knowledge is not final, but it is different and more than we had before. Some refuse it; others embrace it. Several astronauts have become more outspoken in defence of our planet after seeing this singular jewel-like Earth from space- our only life support system. One Apollo veteran tells of how he went to the shopping mall after his return simply to sit and watch regular folk going about their common business. He was doing nothing except savouring the epiphany of our existence on this extraordinary rock.

One of the scientists who briefed the Apollo crews was Carl Sagan, more famous today perhaps as sci fi author and TV presenter. Sagan is rightly considered an intellectual giant in our era because he understood, and could articulate with artistry, that we needs must generate narratives about our place in the universe, and consider what meanings might emerge from the facts we learn. He said that we learn much about ourselves in the process of considering if there might be life out there. Sagan had the vision to attach a message to the Pioneer 10 and 11 spacecraft, and after them, Voyager 1 and Voyager 2, so that should these probes meet ET in the distant future, they would have an advanced letter of introduction. The Golden Records contain the music of Bach and Chuck Berry, photographs of people living their regular lives, and a scaled map of their launching point. But surely it is we who have more to learn from these snapshots of Earth and humanity, and their selectivity. A story may be composed and told in one way at first, but in the retelling, there is reconsideration, and the meaning of the narrative might change significantly.

So proved to be the case. Voyager 1 was finally leaving our Solar System in 1990, and it was Sagan who proposed a new project that was not originally envisaged. The camera was turned back to look toward Earth, now only the tiniest star-like speck of light, tinged a little blue- perhaps? Twenty two years after Earthrise we now had The Pale Blue Dot. Let’s see what Sagan had to say as he absorbed these images and sought to guide our reflections on our Place of Birth. The first excerpt is from Cosmos, the second and longer one from ‘Pale Blue Dot.’

Pale Blue Dot is a photograph of planet Earth taken on February 14, 1990, by the Voyager 1 space probe from a record distance of about 6 billion kilometers (3.7 billion miles, 40.5 AU), as part of that day’s Family Portrait series of images of the Solar System.
In the photograph, Earth’s apparent size is less than a pixel; the planet appears as a tiny dot against the vastness of space, among bands of sunlight reflected by the camera.[1]
Voyager 1, which had completed its primary mission and was leaving the Solar System, was commanded by NASA to turn its camera around and take one last photograph of Earth across a great expanse of space, at the request of astronomer and author Carl Sagan.[2] The phrase “Pale Blue Dot” was coined by Sagan in his reflections on the photograph’s significance, documented in his 1994 book of the same name.[1]

“The Earth is a place. It is by no means the only place. It is not even a typical place. No planet or star or galaxy can be typical, because the Cosmos is mostly empty. The only typical place is within the vast, cold, universal vacuum, the everlasting night of intergalactic space, a place so strange and desolate that, by comparison, planets and stars and galaxies seem achingly rare and lovely.” —Cosmos

“Look again at that dot. That’s here. That’s home. That’s us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every “superstar,” every “supreme leader,” every saint and sinner in the history of our species lived there–on a mote of dust suspended in a sunbeam.

The Earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds.

Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.

The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.

It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we’ve ever known.”

Pale Blue Dot: A Vision of the Human Future in Space

There is much at stake in these passages, and I am happy to appreciate the profound insights and nuances in reasoning that Sagan pens with his considerable erudition. It is quite proper that following the flush of excitement that greeted ‘Earthrise’, there has been precious little repentance regarding our collective despoiling of our precious and singular planet, from which we cannot expect to escape to somehow try again. Sagan’s cajoling, including his rubbishing of inadequate religion, corrupting politics and exponentially increasing collective greed, sum up in a justified tirade. If it is such that a religion continues to deceive and mislead in regard of our collective thriving and the sustainability of our ways of life on this Good Earth, may I be found first in line to agree with Sagan in calling that out. I suspect Sagan may have thought so of such as me, but I do not, in fact, believe in such a God or hold to such a faith.

But I would turn this analysis around. Is it not the case that Carl Sagan makes unjustified claims of his own that are, frankly, ideological if not outright religious in nature. His naturalism/atheism is in clear view, and he is entitled to hold whatever point of view he wishes. But his category errors are clear and egregious. A careful study of the lines above leads us to discover the sound and simple claims that we are biological beings made of matter that can only survive on a body composed of the same matter. Our Earth is the third rock in orbit around our sun, and it is perfectly fine to stand afar off and describe this as a speck of dust. Its quite a big lump from where I’m sitting right now, and it must be big so some can fool about pretending that its flat. What is more, this rock must be bathed in sunbeams, as that is the necessary source of energy. And within a suitable range of intensity, as Goldilocks prefers. Finally, we need a life sustaining watery atmosphere. And there it is- the Chinese have spring onion, garlic and ginger, from which to construct every delicious menu. The planetary astronomer wants only for rock, light and air, in decent proportions.

But it is plain that Sagan will not stop here. He seems very exercised by the scale of things. The size of the stage, our Earth, compared with the scale of the surrounding darkness, seems to matter a great deal to Sagan. Our self-esteem as a species and as individuals seems in question when the vastness of the cosmos is recorded on the other side of the balance sheet. The fact that we find ourselves, at this time, to be physically alone in the universe- the only forms of life are earthly ones- is taken as a great strike against our being significant. But the question must be put to this esteemed and accomplished scientist: who composes such a balance sheet, in which the values of physical variables are supposedly collated on the credit side, while the qualitative judgements of human opinions are placed on the debit side? What scientific assumptions are being drawn on? To be brief: there are none- these are only the unscientific opinions of a Ptolemaic ideologue. Sagan is committing serial category errors. He is mixing up considerations of scientifically discovered facts with questions of meaning, big questions of human value, that are beyond physics. Sagan manages to allow that there is still some sort of meaning, value, kindness and love, but will only allow their existence within the bounds of materialism, and he is committed to a calculus in which their value is outweighed by the scale of the cosmos. Sagan says that whatever brief loves we may be fortunate to celebrate, we are surely drowned by loneliness even as we enjoy them.

The same is surely true of Professor Dawkins, who opines thus when considering the tangle of ecological realities:

“The total amount of suffering per year in the natural world is beyond all decent contemplation. During the minute that it takes me to compose this sentence, thousands of animals are being eaten alive, many others are running for their lives, whimpering with fear, others are slowly being devoured from within by rasping parasites, thousands of all kinds are dying of starvation, thirst, and disease. It must be so. If there ever is a time of plenty, this very fact will automatically lead to an increase in the population until the natural state of starvation and misery is restored. In a universe of electrons and selfish genes, blind physical forces and genetic replication, some people are going to get hurt, other people are going to get lucky, and you won’t find any rhyme or reason in it, nor any justice. The universe that we observe has precisely the properties we should expect if there is, at bottom, no design, no purpose, no evil, no good, nothing but pitiless indifference.”

― Richard Dawkins, River Out of Eden: A Darwinian View of Life

Dawkins will doubtless have considered the exact phraseology he wishes to use, and he is certainly qualified to speak to the science of this matter, as a behavioural ecologist and geneticist. He will have considered the likely objections of academics and religious adherents whose criticisms he expects. Yet the faults are clear: category mistakes abound. Physical forces are ‘blind’, the natural state of biology is ‘misery’, while the universe as a whole has the property of ‘pitiless indifference.’ But these are unscientific anthropomorphisms and metaphysical claims smuggled into what purports to be a scientific perspective on the world and ourselves.

There is, it seems, a shameless honesty in this position. Here is Sagan doubling down on his claims, baldly stating that in the face off between beliefs and values on the one hand, and science on the other, the proper winner is Science:

“The universe is a pretty big place. If it’s just us, seems like an awful waste of space.”

“If we long to believe that the stars rise and set for us, that we are the reason there is a Universe, does science do us a disservice in deflating our conceits?”

― Carl Sagan, The Demon-Haunted World: Science as a Candle in the Dark

It is all to the good that Sagan and Dawkins and others vigorously make the case that Science should inform our consideration of the Ultimate Questions about human existence and meaning. It makes a difference to our evaluations when we know what the cosmos is really like, what living things are like, how all this comes to be, and what means we have to gain objective evidence about the cosmos our adventuring and learning takes place in. It is right to call out the wooden thinking and obfuscations of inherited ideologies, whether old religious ones or the new religions of money and avarice.

But when such caveats are completed, the core complaint remains. For Sagan and Dawkins, we are imprisoned. We are imprisoned in space, on this lonesome rock called Earth. We might have each other, as playmates and families and lovers and colleagues and so on, but we are still all, collectively and individually, alone in an empty universe- and if there are others, it makes no difference, as they are too rare and too far away, beyond communication of any sort and in any timescale that matters to us humans. We may succeed in significant space travel in some distant era, but only at a miniscule scale. I think that we do better to focus on the aspects of Sagan’s complaints that pertain to the rescue of planet Earth from self inflicted disaster. His points are well made in this regard, and we would do well to amplify his alarm calls. He points us to the human value of kindness, which I agree would be a sound enough meeting place for peoples of all opinions and creeds.

And Sagan and Dawkins agree. We are imprisoned in time: born to live but ever so briefly, and then all too soon, to be completely and permanently snuffed out, after such a brief stay. There is again an honesty and rationality to this confession, for so many press on in wilful denial of the reality of our mortality. There is a light to be shed into our lives by such an embrace. Sagan puts it well, when, laying aside his appeals to scientific authority he speaks plainly as a poet:

“Far better it seems to me, in our vulnerability, is to look death in the eye and to be grateful every day for the brief but magnificent opportunity that life provides.”

And now the stage is cleared of stumbling blocks, so we can contemplate with a clearer mind whether there are any other bases on which we can consider our existential questions. In the prison cell, the inmate’s welfare is partly dependent on food and water and daylight and exercise, certainly, but also on other matters that are not so easily enumerated. As I mused over these things, I considered how much it is the case that the Earth and our lives on it could constitute a prison, or perhaps a place with potential. Your answers will depend on the perspectives you decide to adopt. I fell to considering how I might modify Saif Mhaisen’s artwork, and decided that I would transform it into a diptych. Next to the original I have pasted artwork from science texts, which provide particular views and perspectives on the nature of our world. The first is the interior exploded in an architectural drawing fashion, showing the mantle and core within the rocky sphere. The layers of the atmosphere, more complex than we might first expect, are shown below. There are some perspectives on Earth from space, some with astronauts in their temporary suit- prisons, without which they would not survive. Other views evoke the contrasts of light and dark at different times of day, such a key part of our experience. A solar eclipse sometimes produces the so-called ‘diamond ring’ effect, but in this image, the Earth has been substituted for the Sun, as this is the real gem in the Solar System, forged from the generations of stars that preceded us all. And lower left is the ‘Earthrise’ picture from 1968 which I described earlier.

‘Design of a Cell of Creative Possibilities, 2022. Stephen Thompson. Digital collage-montage based on and responding to Saif Mhaisen’s ‘Design of a Prison Cell’, 2012

So what do you think? Is this Earth a prison, and even if you say, Yes, is that a bad thing? The science is clear: the gravity of this 12 742 km diameter rock holds down both us and our atmosphere- without this forcefield, all the means of sustaining life simply drift away. And the same keeps us in orbit around our benign star, the Sun. Aside from the vital realisation that we must collectively change our behaviour to take better care of our unique and irreplaceable world, what other responses might you make? Sagan and Dawkins seem to agree to progress further on their adventure of discovery of what the world is like. They express anger and frustration, both at the way they see the cosmos/world to be, and especially at the irrationality of many powerful people, past and present (with which I would agree). They are resigned to certain findings and conclusions that they draw. There could well be purpose and value in a life lived even in a prison from which there can be no ultimate escape. Is it enough to accept that the only legacy we leave is that which remains in the passing memories of those who lived with us and knew us?

Here is where Sagan, Dawkins and I part company. Sagan is right to say that no-one and nothing is going to come to save us from ourselves, from the growing predicament of our climate emergency and the environmental destruction we are wreaking on this our home planet. No alien extra-terrestrials are nearby to help us fix this mess. But the proper embrace of my intellectual elders for Science has spilled over into Scientism, a love of reason into materialism, and their rejection of the possibility of Revelation is irrational. Science and reason have no authority to give final judgement on such a question, and recall that Dawkins did tell us that he appreciates the potential reach of justice.

In short, the Biblical claims of Revelation ought to be taken seriously, and I am one who has tried to do so, and have concluded that the biblical claims pass the tests and scrutiny of reasonable sceptics, who properly apply the tests of science, as far as they are justified, but not further. The faith of the apostles Peter and Paul in the Incarnate One known as Jesus of Nazareth was severely tested- it passed the ultimate tests, even up to death, and this was not a sudden surprise. There were many acute trials before that, some of which involved imprisonment for their faith. Here are two key episodes rehearsed in the book of Acts:

So Peter was kept in prison, but earnest prayer for him was made to God by the church. Now when Herod was about to bring him out, on that very night, Peter was sleeping between two soldiers, bound with two chains, and sentries before the door were guarding the prison. And behold, an angel of the Lord stood next to him, and a light shone in the cell. He struck Peter on the side and woke him, saying, “Get up quickly.” And the chains fell off his hands. And the angel said to him, “Dress yourself and put on your sandals.” And he did so. And he said to him, “Wrap your cloak around you and follow me.” And he went out and followed him. He did not know that what was being done by the angel was real, but thought he was seeing a vision. 10 When they had passed the first and the second guard, they came to the iron gate leading into the city. It opened for them of its own accord, and they went out and went along one street, and immediately the angel left him. 11 When Peter came to himself, he said, “Now I am sure that the Lord has sent his angel and rescued me from the hand of Herod and from all that the Jewish people were expecting.”

Acts 12:5-11 ESV

16 As we were going to the place of prayer, we were met by a slave girl who had a spirit of divination and brought her owners much gain by fortune-telling. 17 She followed Paul and us, crying out, “These men are servants of the Most High God, who proclaim to you the way of salvation.” 18 And this she kept doing for many days. Paul, having become greatly annoyed, turned and said to the spirit, “I command you in the name of Jesus Christ to come out of her.” And it came out that very hour. 19 But when her owners saw that their hope of gain was gone, they seized Paul and Silas and dragged them into the marketplace before the rulers. 20 And when they had brought them to the magistrates, they said, “These men are Jews, and they are disturbing our city. 21 They advocate customs that are not lawful for us as Romans to accept or practice.” 22 The crowd joined in attacking them, and the magistrates tore the garments off them and gave orders to beat them with rods. 23 And when they had inflicted many blows upon them, they threw them into prison, ordering the jailer to keep them safely. 24 Having received this order, he put them into the inner prison and fastened their feet in the stocks. 25 About midnight Paul and Silas were praying and singing hymns to God, and the prisoners were listening to them, 26 and suddenly there was a great earthquake, so that the foundations of the prison were shaken. And immediately all the doors were opened, and everyone’s bonds were unfastened. 27 When the jailer woke and saw that the prison doors were open, he drew his sword and was about to kill himself, supposing that the prisoners had escaped. 28 But Paul cried with a loud voice, “Do not harm yourself, for we are all here.” 29 And the jailer[a] called for lights and rushed in, and trembling with fear he fell down before Paul and Silas. 30 Then he brought them out and said, “Sirs, what must I do to be saved?” 31 And they said, “Believe in the Lord Jesus, and you will be saved, you and your household.” 32 And they spoke the word of the Lord to him and to all who were in his house. 33 And he took them the same hour of the night and washed their wounds; and he was baptized at once, he and all his family. 34 Then he brought them up into his house and set food before them. And he rejoiced along with his entire household that he had believed in God. 35 But when it was day, the magistrates sent the police, saying, “Let those men go.” 36 And the jailer reported these words to Paul, saying, “The magistrates have sent to let you go. Therefore come out now and go in peace.” 37 But Paul said to them, “They have beaten us publicly, uncondemned, men who are Roman citizens, and have thrown us into prison; and do they now throw us out secretly? No! Let them come themselves and take us out.” 38 The police reported these words to the magistrates, and they were afraid when they heard that they were Roman citizens. 39 So they came and apologized to them. And they took them out and asked them to leave the city. 40 So they went out of the prison and visited Lydia. And when they had seen the brothers, they encouraged them and departed.

Acts 16:16-40 ESV

I hope you find the contrasts and parallels between these accounts, and with the artwork we have considered, to be instructive. I will leave you to draw your own conclusions, for the most part, saying just this. The claims of the Biblical accounts of the people of faith, who followed as disciples of Jesus Christ, are that while there are physical features of this world that sustain life and enable us to enjoy freedom in community, there is on offer a different mode of life that considers that the common life of flesh and blood, or family and business and reproduction and even creativity are not exhaustive criteria. Very simply, Peter’s story shows that prayer changes things, even engineering a dramatic release from prison, while Paul and Silas show that praise to God might also cause a transformation in society- note that they refused to run away quickly from their own incarceration but stayed put, tending to the welfare of their own jailer and then gave the opportunity to reinforce their further imprisonment on the authorities who had put them into jail in the first place. All this is simply foolishness to the rationalising man who considers science to be the only means to reliable knowledge about the cosmos. But the Christian says that the cosmos is in fact God’s own cosmos, and though unseen, He may be the guest at every meal, the One who blesses us with food and water and all manner of increase. He is, in fact, the God who raised Christ from the dead, showing the great victory of light over darkness. In so many words, Peter, Paul and Silas might say in our day, “How wonderful life is, as You have come into our world!” With great sadness, we observe that it is the wilfully blind and scientistic man who is imprisoned, remaining without hope.

I hope you agree that the important question should not be, ‘Are we in a prison?’ but, ‘Might we receive Visitors?’ Carl Sagan and Richard Dawkins think that we are, for all our trivial freedoms, ultimately imprisoned in a cosmos of vast emptiness in which we have a painfully short time to absorb the meaningless wonder of our all-too-brief existence. In their proper enthusiasm for the power of the sciences to enlighten our collective understanding and expand the reach of our finding out about the remarkable universe which we find ourselves in, they unreasonably limit the boundaries of valid evidence pertinent to the Questions, ‘Are we alone?’ and, ‘Might our lives have hope beyond death?’ Do you agree, or am I merely indulging the wishful thinking of every imprisoned convict?

All of us are in the gutter. Some of us are looking at the stars, some of us are wondering, “Why did we build such a big gutter?”

Luke rollason, Edinburgh Fringe 2022

© 2022 Stephen Thompson

References:

  • ‘Design of a Prison Cell’ Saif Mhaisen. Pencil on paper. 2012. https://www.pinterest.co.uk/pin/637963103481799607/ See https://tashkeel.org/artists/saif-mhaisen, and…
  • 1. https://digitalcommons.risd.edu/masterstheses/283/
  • [POST PUBLICATION ADDITION] Saif Mhaisen has been very kind to correspond with me after the drafting of this article. He explained that while many have responded to his ‘Design of a Prison Cell’, usually for professional architectural purposes, my response was the first that gave an interpretation in terms of hope. I find this instructive. Despite the best efforts and competent skill of a practitioner, the viewer/recipient may not acknowledge what is clearly depicted before them. There again, it may simply underline the powerful synergy between verbal and visual modes of communication. While against this is the matter of freedom. In viewing Saif’s architectural-artwork without additional commentary, the viewer is left with greater freedom to make a personal and independent interpretation. Likewise, in his response, Saif was very happy to give his appreciation for my perspective, but also careful not to say whether that was what he had intended in the first place, or what he might think now. This too is freedom- the freedom of the artist to depict and to create and to represent, but to maintain a distance from the work so they retain their own dignity and free agency.
  • 2 Technical paper for teachers:https://uk.sagepub.com/sites/default/files/upm-binaries/27832_Ch_1.pdf & https://www.onestopenglish.com/professional-development/advancing-learning-the-fifth-skill-viewing/557577.article This is one example of the pedagogical insight that we learn more effectively if the teaching process stimulates our brains in multiple ways, through words/ auditory means AND through images/visual means. In contrast to the now discredited notion that learners prefer ONE of the visual/auditory/ kinaesthetic modes. Later I will extend this by analogy to the EI approach that debunks Sagan and Dawkins: the questions they claim to answer in fact demand an EI ie multidisciplinary approach, marshalling the powers of science and also other disciplines to address big questions about the meaning and significance of human life at the cosmic scale. Further, the Biblical record of Acts specifically demands this in a causal manner, explicating the overlap of physical explanation (earthquakes that undo prison doors) with supernatural ones (angelic appearance and intervention). [NB I do not simply mean that ‘A picture is worth a thousand words’ as is said by many. I am referring to the combination of thought conveyed by words and well chosen images together in the service of a narrative or argument.]
  • https://www.nytimes.com/2019/12/12/arts/design/the-pencil-is-a-key-review-drawing-center.html
  • https://www.instagram.com/saifmhaisen/?hl=en
  • ‘How wonderful life is while you’re in the world’ from Your Song, Bernie Taupin and Elton John https://www.azlyrics.com/lyrics/eltonjohn/yoursong.html I extend this allusion (from the realisation of fellowship and society as impairment of the life of the prisoner) to our spiritual fulfilment in God: How very wonderful life is if You are in our world.
  • https://www.planetary.org/worlds/pale-blue-dot Carl Sagan, Pale Blue Dot, 1994 Copyright © 1994 by Carl Sagan, Copyright © 2006 by Democritus Properties, LLC.